#Chipmunk basic for mac | Explore Tumblr posts and blogs

noelacciari · 6 years ago

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alright this is kinda bad but I'm gonna ask anyway. so I'm a new/casual hockey fan and this girl I'm friends w is super into hockey and I'm kinda having to bluff my way through convos rn so could you give me a basic summary of the roster and stuff pls :)))

okay babe, so this is how we’re gonna set this up for you… personality quiz style. (also wait I’m assuming you mean Bruins so. im very sorry if this was about another team lol)

Step 1: pick your star

- Do you strive for perfection? Do you look for stability in a relationship? Can you appreciate a good beard? Do you need a perfect man to project all your feelings regarding men onto and then you never have to even look at another man in real life? Then Patrice Bergeron is the guy for you. He’s perfect. Like legit. Has been nominated for the Selke Award (best defensive forward) approximately a gazillion times, eventually they’re going to change it to The Bergy. Gorgeous play maker, dominate on the face-off circle. Quiet leader in the room. A pillar of the Boston community. The only person who can tame Marchand (we’ll get to him later). Every person in New England is AT LEAST 30% in love with him, regardless of sexual orientation. (I’m not even kidding). Future Hall of Famer. Without a doubt. (Forward (Center), #37, first line)

- Do you enjoy carbs? How about charming smiles? Do you enjoy men who toe the lines of fashion? Do you like a show, flashy lights and stunning tricks? Do you like people who make you smile, no matter how bad your day is? Then David Pastrnak is your man. Better know as Pasta (said with a deep Boston accent), he’s been tearing up the ice from the moment he arrived in TD Garden. A member of the Best Top Line in the League (alongside Bergeron - and that other guy who we will get to later). His goals are always absolutely nasty, just. Sexy, sexy hockey. Off the ice he’s sunshine personified, known for his chipped tooth smile, wearing checked suits and floral shirt, and just being generally the best. (Forward (winger), #88, first line)

- Are human sized chipmunks something you think would be pretty cool? How do you feel about Long Island? Would you think it’s funny if a guy who was a star player on a Boston team dated the daughter of a Pittsburgh coach? Do you think it’s even funnier if a guy who tweeted “I hate the Bruins” then proceeds to get drafted by them? Then Charlie McAvoy is your star d-man. At the ripe old age of 21, Long Island native Charlie McAvoy already carries a huge chunk of responsibility on the Bruins defense core. A future leader for the team (captain. imo), Charlie puts up incredible minutes, and is the perfect complement to his d-partner Zdeno Chara (we’ll get to him too). Also known as Cheeks (on tumblr) or Mac (by his teammates), Charlie isn’t afraid to throw his weight around on the ice, and he looks good doing it. Dude is a Bonafide Stallion. (Defense, #73, 1st Pair)

Step 2: Pick your Dad

- Are you vegetarian? How do you feel about EXTREMELY tall men wearing easter bunny onesies? Do you prefer to bike to work instead of taking the train? what about pigeons? If you consider pigeons friends, then Zdeno Chara is your new dad! (Boogie Woogie Woogie). You know how Bruins fans like to say - Don’t Poke The Bear? Well Big Zee is that hypothetical bear. Our beloved captain and father earned himself quite the reputation on the ice, known for his hard AF slap shots and even harder punches. Clocking in at 6′9″ and 250lbs, Zad is still a beast at 42 years old - and he apparently has no plans to retire. While his age doesn’t appear to be slowing him down on the ice, Zee has shown his softer side off the ice with his inspirational and extremely cute Instagram. He came into Boston in 2006 and was named Captain upon signing, and has forever changed the culture of the Boston Bruins. Chara facilitates an inclusive but hard working locker room, and his legacy will live on in Boston long after his retirement. (Defense, #33, first pair)

- Are you a dog person? Also are you American? Those are really the only 2 qualifications you need to chose David Backes as your dad. Although some of us older folks like me (at the stunningly old, reaching retirement age of 26) might consider Backes to be more of a daddy, the majority of Bruins tumblr view him as their Dad. Common nicknames include Dadkes and Papa, and his effect on the team after being brought back into the line-up during the playoffs has endeared him to fans. While his deal is… not great (he’s expensive!!) and he hasn’t performed up to how much money he’s paid, it’s clear that he’s a leader on the team. The young guys look up to him, and the older guys respect him, and that’s what we’s appreciates ‘bout him. Also. He LOVES animals. Backes and his wife Kelly (who have known each other since kindergarten how cute is that shit) have their own charity that helps animals!! (Forward (Winger/Center), #42, currently 2nd line)

- Were you really into magic as a kid (or currently)? Have you always gravitated to your one friend’s dad who was super quiet but super smart and taught you how to play chess at that cookout one time? Then your new dad is David Krejci! Sometimes called The Wizard, Krejci is known to make magic happen on the ice. Between no-look passes and somehow being able to know exactly where his wingers are going to be before they even know, tbh. Krej is probably the MOST underrated player on the Bruins, but he’s always dependable, and always seems to be there when you need him. (Forward (Center), #46, 2nd Line)

Step 3: pick your weirdo

- Have you never eaten a vegetable willingly in your life? Do you consider yourself a chef - specifically for children? Do you think getting your teeth knocked out is fun and exciting? Then Jake “JD” DeBrusk is the dude for you! Goofy AF off the ice and a sniper on it, Jake is extremely worthy of being your chosen weirdo. He has a lucky winter hat named “tuukka” that he’s been wearing all playoffs, and he might only have one brain cell but we love him for it. At one point called a draft bust, Jake has been proving himself to be an elite player, and has been a steady winger for Krejci all season. Plus. He’s cute af. (Forward (winger), #74, 2nd Line)

- Is getting under other people’s skin one of your favorite activities? Do you like to piss people off by being better than them at everything? Does licking someone’s face in the middle of a hockey game seem like a Good Idea to you? Back in step number one did you chose Patrice Bergeron as your Lord and Savior? Then Boston’s favorite Pest - Brad Marchand - is the guy for you! Brad started off as an undersized fourth liner, and has worked his way up to one of the top scorers in the league. Outside of Boston he’s probably the most hated player in the NHL - earning himself a reputation for being a pest (at best), and sometimes being dirty (at worst). This year we are proud to announce that he did not get suspended once! Though he did come in just short of 100 Penalty Minutes. Marchy was our top scorer this year, and has become an integral part of this team. (Forward (winger), #63, 1st Line)

- Are you secretly an arsonist? Are frogs your favorite animal? Do you have a crush on that Pretty Jock that’s in all your classes and sometimes smiles at you in the lunch line? Then Danton Heinen is the weirdo for you. Danton has been a quietly steady performer for the Bruins this season, spending time on the top line with Bergeron and Marchand when Pasta was out. He’s growing into quite the play maker, and he’s known for making good decisions on the ice that lead to goals. Danton also happens to look like a frog, which is an important character trait imo. He’s a tumblr favorite, but he’s a good person to like even in real life, because he makes an impact on the ice. (Forward (winger), #43, 3rd Line)

Step 4: chose your conventionally attractive white boy

- OKay we’re not doing the questions thing because judging by your ask you may not even be interested in men so i’m just going to dive straight into the description. He’s tall with a strong jaw and perfect curls and pecs of a God. Charlie Coyle is a Weymouth, MA native who Boston brought back home at the trade deadline. He’s been a bit of a hero this playoff run, and he looks damn good doing it. The B’s have been searching for a good 3rd line center, and Charlie has filled the role perfectly. Personally, I am deeply in love with him, in case you could not tell. (Forward (center/winger), #13, 3rd Line)

- an integral member of the Bruin’s all important Line 1A (aka the 4th line), Sean Kuraly has got it all. Piercing blue eyes? Check. Perfectly highlighted hair? Check. Cute little chin? Double check. Though he’s been photographed wearing jorts and an open flannel shirt with nothing underneath it, Sean is still a certified Babe. He’s been Klutch in every playoff run he’s had with the B’s, and is the scoring force behind the 4th Line’s brawn. Not to mention, his signature celly is a leap from the ice! (Forward, (center/winger), #52, 4th Line)

- Brandon Carlo… how do I begin to explain Brandon Carlo? Brandon Carlo is flawless. He has two bible tattoos and a designer bulldog. I hear his hair is insured for $10,000. I hear he does Tri-City Americans commercials… in Washington. His favorite movie is Miracle. One time he met David Backes on a plane… and he told him he was pretty. One time he punched me in the face… it was awesome (’cause he missed). In all seriousness though, Monte is a hardworking, defensive defenseman, who has really shone this season. He doesn’t show up on the scoreboard often, but he makes it really hard for other teams to get goals. Even though he struggles to score empty netters... he’s still a babe. (Defense, #25, 2nd Pair)

Step 5: Chose your shorty

- If you’re thinking - wait, shouldn’t Marchand be in this category? Isn’t he the smallest guy in the World? Then Torey Krug is the Short King for you. An ELITE offensive defenseman, Torey is absolute dynamite on the ice. In game 3 of the Stanley Cup Finals Torey made history by becoming the first Bruins player ever to record 4 points in a stanley cup finals game. Krug is quick on his feet and can snipe from the blue line, but isn’t afraid to lay down the law when he needs to. Notorious for loosing his helmet so he can show off that flow, Torey also has a bulldog named fenway and a BABY on the way. (Defense, #47, 2nd Pair).

- Is talk shit, get hit a favorite saying of yours? Can you appreciate biceps the size of your head? Then Noel Acciari is your man. He might be short but he’s built like a tank, and he uses that bod to plow through guys on the ice. Noeldozer is known for laying down the cleanest hits, and we love when he takes out the trash! The Rhode Island Native got married last summer, and has a golden retriever named Thor. His mouth is currently fucked right up but I promise he’s actually kinda pretty. (Forward (winger/center), #55, 4th Line)

- Are you one of the apparent hoards of people that think a Boston accent is sexy? Could you get into a guy who says the fuck word on live television? Are collarbone tattoos a thing you admire? Do you like sexy, tough little son’s of bitches? Great! Matt Grzelcyk is the little guy for you. A BU grad who’s become a cornerstone of the Bruins d-core, Grz is a tough little cutie who works hard and gets shit done. More of an offensive defenseman, Matty G has been there for the team even when all of our other defenseman were injured. His Dad has worked at the Gahden for like a million years, and playing for the B’s is a dream come true for Matt and his family. He got taken out in Game 2 of the Finals, and the Bruins are currently seeking revenge. Dude’s got a good beard going too. (Defense, #48, 3rd Pair)

Step 6: Pick your goalie

- As much as we love Jaro, there’s only one goalie you need to know about when you’re learning about the Bruins... 2 U’s 2 K’s 2 Points... Tuukka Rask! The clear MVP of the Playoffs this year, Tuukka has been a brick wall in the net for the B’s. He’s known for being quick tempered and a little... wild, at times, having been caught on camera beating the shit out of a bunch of milk crates and on time brandishing a skate blade at the refs like a knife. Though some fans seem to never forgive Tuukka for the B’s loosing the 2013 playoffs, around these parts we love and respect and rely on his prowess in the net. Off ice, he kinda looks like the grinch (and knows it), though apparently Bergy thinks he looks like Harry Styles (i wish i was kidding). He’s also got 2 adorable little girls! (GOALIE, starter)

So now you’ve got 6 guys that you know about, right? I would pick 1 or 2 of those to be the ones you pay attention to. Listen for headlines about their goals/play, if you’re watching games, look for their numbers on the ice. All you gotta do is be able to say “Wow did you see that Coyle goal on Saturday night?” and all of a sudden you sound like an expert! (This works even better of you choose a guy not from the first category).

If you have more questions about specific players or lines, feel free to reach out! I know not a lot but I know many people who actually do know things lol

(Also to any of Bruins tumblr who made it this far, I KNOW i’m missing your faves okay. Wagner, Clifton, Nordy, MoJo, Moore, and half the providence roster deserve a spot on here. But I’ve already written too much)

(Also Also, special thanks to Lil for helping me with Monte’s description)

#boston bruins #this was a labor of love #look i know not everyone will agree with my categories but i was trying to be succinct #mine #mine:bruins #anonymous #beth's got mail #bruins

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lotterynahas · 3 years ago

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modelhunter172 · 3 years ago

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Requirements: macOS 10.12 or higher - 64-bit

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Unity 2019.2.10 Unity makes cutting-edge game technologies outrageously simple to use. Unity is a one-stop solution for professional game development. 1. You can make amazing stuff.

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Unity provides the simplicity of professional authoring combined with the power of a modern 3D game engine. You can create amazing stuff in amazingly short time. 2. Unity just works. Drop your models and animations right in. Add sizzling graphics, immersive physics, and animated characters with a few clicks. We know that you want to spend your time making great things.

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Xcode includes everything developers need to create great applicationsfor Mac, iPhone, iPad, Apple TV, and Apple Watch. Xcode providesdevelopers a unified workflow for user interface design, coding,testing, and debugging. The Xcode IDE combined with the Swiftprogramming language make developing apps easier and more fun than everbefore. Xcode includes the Xcode IDE, Swift and Objective-C compilers,Instruments analysis tool, simulators, the latest SDKs, and hundreds ofpowerful features.

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Xojo 2019r1.1 Develop faster with Xojo. Cross-platform - Code once then deploy on macOS, Windows, Linux, the web, iOS and Raspberry Pi. Rich Framework - With modern support for graphics, database servers and internet protocols, build anything you can imagine. Drag & drop UI - Create your native user interface quickly and intuitively with drag and drop. Abstraction - Xojo abstracts you from the platform details allowing you to focus your time and energy on what makes your app unique

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Technology is all around us, and we’ve all seen self-driving cars like Tesla’s one. But in order for anything to work as expected, it must be programmed that way, and that’s where programming languages come in. You must be wondering: “Which languages should I learn, as there are so many?”

Well, let the market tell you – in one survey they found that 65% of the people use JavaScript, around 50% SQL, and more than 40% use Java. If you’re looking to start with website development, both JavaScript and SQL are great for that. However, if you’re looking to get a job in a company environment, one of our 10 best software to learn Java will be of utmost importance:

1. JRE

Before you start anything having to do with Java, you must have JRE (Java Runtime Environment) installed in order to programs other people wrote. Another base for writing and running your own Java programs is certainly JDK (Java Development Kit), which can be found under a different name too – SDK (System Development Kit).

Important to notice, if you’re using Windows, you’ll have to download JDK manually, but if you’re a Mac OS x owner, it’s already pre-installed, and all you have to do is check for updates.

2. BlueJ

We’re delving into the topic of IDEs now, which is essential for your Java programming. IDE stands for Integrated Development Environment and is a program for your computer that allows for editing, running, compiling, testing and debugging your programs.

It’s completely possible to compile and run Java programs from a command line, but programs like these make the process graphically pleasant, and just easier. BlueJ is one of the simplest – the UI is easy to use, and allows you to focus on the code. Error part of the interface is very useful and quickly points out the mistakes you’ve made so you can fix them easily.

3. DrJava

A very lightweight and straightforward programs to help you start writing your own code in no time. It was produced with students and beginners in mind, therefore it’s trying to dissolve your confusion about a new working environment. The interface is very intuitive and clear of clutter, and the program itself is constantly updated.

For example, the latest release at the moment brought a button called “Coverage” which runs all your unit tests and helps determine the code coverage of your unit tests. Sounds confusing, doesn’t it? Well, once you download it, things will get easier to understand.

4. JCreator

Another great option for you if you’re just beginning, and it provides quite a lot of functionality features. Project management and templates, code-completion, simple debugger interface, and syntax highlighting editor are just one of those. It is also very efficient, as it was written in C++, another very similar programming language, but it provides an edge compared to other IDEs.

5. NetBeans

We’re only about halfway in, but it doesn’t mean NetBeans or any other tool underneath is inferior to the ones at the top, not by a big margin, at least. It all comes down to your needs, and just what makes your brain work the best when writing a program.

This one is a completely free, modular IDE with a lot of add-ons to make your experience more pleasant. It allows you to build almost any kind of application and is used by a lot of developers around the world, even the more advanced ones.

6. Eclipse

Sixth on our list, and one I can recommend from personal experience, and experience of my close friends – Eclipse. It’s because of its functionality – the ability to create cross-platform Java applications for web, mobile, desktop and enterprise domains.

The main features are, for example, XML editor, Git client, pyDev, CVS client and others. It allows you to add plugins and expand your development to other languages like PHP, JavaScript, Python, Ruby, and many others making it a strong suit on your resume for your future job in a company.

7. IntelliJ IDEA

I just can’t hide the affection for the interface of IntelliJ IDEA, not only does it look amazing, but it’s also ready out-of-the-box. Literally, there are so many critical tools and features already integrated, that there’s barely any need to download additional add-ons and plugins.

It provides a static code analysis in an eye-soothing grey interface, helping you achieve an instant code completion by suggesting names of classes, methods and such. Plus, it’s not limited to Java only, thus assisting with SQL, HTML, JavaScript, and others.

8. JSource

Even though in today’s day and age we have HDDs of multiple TB of space, what if you have an old laptop you’d like to finish your work outside? That’s exactly where JSource comes in, providing a great option for Java developers, both beginners and advanced. It is not only lightweight, but it comes with all features you need to run, edit, compile and create Java programs. Of course, all the main features like syntax highlighting and Java tools integration are included.

9. Oracle JDeveloper

As we’re approaching the end of our journey, it’s valuable to notice that the Oracle, the company behind Java, has their own program. As you can see, it’s completely free, although hasn’t been updated in a few months, but if it isn’t broken, why fix it? It has all the tools you need to create your own Java applications without struggle and delay.

Everything is easy-to-understand and simplified, although some users did report their searching to be complicated and time-consuming. Here’s hoping they’ll fix that very soon.

10. jEdit

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In the end, a tool you’ll just love because of the sheer effort people put into it. They mention hundreds of years when you count all the effort people put into making it as best as it can be and adding useful plugins to make your life easier.

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However, it doesn’t look pretty, we’ll be honest with you. It’s a text-based editor intended for people that care about functionality rather than design. It supports more than 200 languages when it comes to syntax, as well as character encodings like UTF8, Unicode. jEdit runs on a plethora of operating systems – Mac OS X, Windows, Unix, VMS, and OS/2 are all on the list.

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A powerful BASIC programming language for Mac, which is simply intuitive and fast easy to learn

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· I wrote programs years ago, on the Mac and Apple IIe, in basic

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REALbasic is an awesome tool, and I've wanted to try Objective-Basic for a long time

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Mac Basic 2.0 uses multiple windows for program entry and execution

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QB64 is an open source BASIC compiler for Windows, Mac OSX and Linux

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0 notes

emeraldload622 · 4 years ago

Text

How To Download Qbasic For Mac

Chipmunk Basic for Mac OS is an old fashioned Basic interpreter which runs on almost all Macs. Supported features include AppleScript, graphics, sprites, sound, speech and OOP (object oriented programming). Versions for System 6.0.7 thru Mac OS X 10.4, and for systems from on old Mac 512Ke's thru the latest Apple Intel MacBooks. Download Qbasic Mac Software KBasic for Mac OS v.1.87 Related to VB.NET, Visual Basic, Visual Basic for Application and Java. It combines the best features of those tools and comes with built-in backward support for those tools and QBasic as it is 100% syntax compatible to VB6, VBA and QBasic. KBasic for Mac OS v.1.87. Related to VB.NET, Visual Basic, Visual Basic for Application and Java. It combines the best features of those tools and comes with built-in backward support for those tools and QBasic as it is 100% syntax compatible to VB6, VBA and QBasic.

QBasic is a programming language from the 80s. It's not used much any more, but it used to a very popular language for beginners.

There was no internet back then. Some magazines would have the code for programs written out. You had to type all the code into your computer before you could run the program!

It was pretty weird.

Installing on Windows

1. Download the windows QBasic zip http://codeclubakl.github.io/qbasic/qbasic-dosbox-win.zip 2. Extract the whole zip file ('Extract all...') 3. Go into the folder qbasic-dosbox-win 4. Double-click on qb.bat

Windows might say you cannot run the program because it's an unrecognized app.

You can make windows trust the app by right clicking on it, opening 'Properties' and clicking 'Unblock'

Installing on a Mac (Apple OS X)

1. Download the mac QBasic zip http://codeclubakl.github.io/qbasic/qbasic-dosbox-mac.zip 2. Extract the zip file by double-clicking it 3. Go into the folder qbasic-dosbox-mac 4. Right-click on qb.command and choose 'open'

Your Mac might say you cannot run the program because it's from an unidentified developer.

You can still run it by right-clicking or holding control while you click on it.

Choose 'open' from the menu.

Choose 'open' again.

Installing on Linux

We haven't prepared an easy Linux download yet. You'll have to install DOSBox, download QBasic 4.5, then run DOSBox from the terminal giving it the path to qb.exe. Ask a mentor for help if you want.

Use QBasic online (for a Chromebook or any computer)

Click on this link to use QBasic online:

Our online version has a few problems:

You cannot save your work. The save button won't really save it :(

The help files are missing, so you can't press F1 to get help on a command.

However it will let you get started. You could kind-of save your work by taking a screenshot?

The QBasic Editor

If it's working you will see this:

Try it out

Type this into the editor:

Then press F5 (you might need to press Function + F5 on a laptop). QBasic will run the program.

CLS means 'clear the screen.'

PRINT writes letters onto the screen.

You should see a black screen that says Hello! and then Press any key to continue.

Well done! Press a key to go back to the blue editor.

Making an Adventure Game

We will make a story game where the player can go to different places.

We need to:

Print words to the screen.

Ask the player to type in their choice.

Do something different based on their choice.

Step 1: Ask a question

Run this program (F5).

The computer runs the program line-by-line, starting from the top.

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At INPUT line it stops and waits until you type in something and press ENTER.

It saves your answer into a variable called mychoice$. We will use this next.

Step 2: React to the user's choice

This is the same code as above, with one line added.

Can you guess what this will do? Try reading the code out loud if it helps.

Press F5 to run the program. Can you find the secret cave?

Step 3: Jumping around

Normally, the computer runs the program line-by-line.

We can use GOTO to jump to a different line instead.

In this example, start: is a label. It doesn't do anything by itself, but you can jump to it. cave: is also a label.

Can you pretend to be a computer, and run this program in your head?

Can you add some code so that typing in 'south' makes you go somewhere else?

Step 4: You are in a dark forest…

Now you know enough to make a game. You could make:

An adventure where you explore a forest

A quiz where you must get the right answer

A guidebook where you can look up animals to learn about them

Try making something! Remember you can always ask for help.

How To Download Qbasic For Mac Os

Extra Ideas

Download Qbasic App

If you want an extra challenge, experiment with these commands.

Qbasic online, free download

To increase a number, you do this:

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It means: let the NEW number of coins be the OLD number of coins plus one.

0 notes

nessa-writes-stuff · 4 years ago

Note

08, 51, 34, 62

08: Played any sports

Well I do swimming and I actually rlly good at it so yayy!

34: Who/what was your last dream about?

Okay it was a rlly weird one lmao so basically Alvin from alvin and the chipmunks and I were trapped in a building and ladybug from mlb appeared and gave him a miraculous and he saved us ik

51: Favourite food?

If I had to to choose just one thing then I would say pancakes but mac and cheese does also exist too

62: What makes you happy?

I guess music, having some alone time and doing fun things

#saki!!#hopefilledimagines #nessa speaks #ask game

0 notes

shygladiatorcollection · 4 years ago

Text

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Chipmunk Basic for macOS - (Version 1.368.2118, 2019Aug31) Current release with a few bug fixes. Tested on macOS 10.13 thru 11.1. Please send bug reports. Beta Test Chipmunk Basic v1.368.2202. For Apple Silicon M1 Macs and macOS 11 (2020Nov) Chipmunk Basic for Mac OS X - (Version 1.367.2627, 2016Apr01). QBasic download for Windows QBasic is a high-level programming language for beginners. This Qbasic download for windows is the article to get the knowledge about download and install the Qbasic for different versions. Here, you will learn to download the Qbasic for windows 7, 10, and for 32 or 64-bit operating systems.

Get QB64 v1.4

QB64 is a modern extended BASIC programming language that retains QBasic/QuickBASIC 4.5 compatibility and compiles native binaries for Windows, Linux, and macOS. → Read more

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From the 80s to eternity

How BASIC made its way into the 21st century

The BASIC language has been the gateway into programming for countless people. Popular as a beginner programming language in the 80’s and evolving into a powerful professional tool in 90’s, BASIC (and its successor QBasic), helped many people develop a love for programming. These languages provided the foundational learning platform for most of today’s professional developers.

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The QB64 project has evolved over the last decade to bring the magic and educational potential of BASIC from its 20th century roots into the modern era. The QB64 project is already in use in both educational and professional contexts and has an active and helpful user community.

Unlike traditional BASIC and QBasic code, QB64 gets compiled automatically into machine code – allowing exceptional performance, easy distribution, and the ability to link with external C and C++ programming libaries. Compatible with most QBasic 4.5 code, QB64 adds a number of extensions, such as OpenGL and other modern features, providing the perfect blend of classic and modern program development.

QB64 is available for all recent Windows, Linux, and macOS versions.

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You can either get the stable build or help us beta test the development build.

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It’s all about sharing

BASBin

Need to share a code snippet but don’t need all the fuss of traditional online tools? BASBin is what you’re after. Just paste code, hit the button, and share the link away. Files are wiped regularly, so treat it as the temporary storage it is, OK?

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Or maybe you need to share an image, or other type of binary file. If that’s the case, BINBin is for you. Select the file to share, hit the button, and share the link. Files are wiped regularly, so treat it as the temporary storage it is, OK?

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deadcactuswalking · 4 years ago

Text

REVIEWING THE CHARTS: 17/04/2021 (Polo G, Dave, Doja Cat & SZA, Taylor Swift)

Okay, so, UK Singles Chart time – all hell broke loose. I knew Taylor Swift and Dave would make an impact but I was also not expecting all of the chaos to come with it. With that said, Lil Nas X is still at #1 for a third week with “MONTERO (Call Me by Your Name)” and let’s just get through with this. This is REVIEWING THE CHARTS.

Rundown

In this starting rundown segment, I’ve got a lot to cover so I’ll make it quick, no nonsense. First of all, I cover the UK Top 75. Why the top 75? I’m difficult – even though it’s actually more convenient. Secondly, the notable drop-outs – songs that peaked in the top 40 or spent more than five weeks on the chart that are gone from the top 75 this week thanks to this avalanche of 14 or so new arrivals. This week, we say goodbye to a bunch of our debuts from last week as well as “telepatía” by Kali Uchis, “Bringing it Back” by Digga D and AJ Tracey, “You’re Mines Still” by Yung Bleu and remixed by Drake, “Midnight Sky” by Miley Cyrus, “Watermelon Sugar” by Harry Styles, “Mr. Brightside” by the Killers and several #1 hits, including “Dreams” by Fleetwood Mac, “Sweet Melody” by Little Mix, “Mood” by 24kGoldn featuring iann dior, “Dance Monkey” by Tones and I and finally, “Someone You Loved” by Lewis Capaldi, after spending a whopping 113 weeks in this region... despite being terrible. I mean, it’ll be back next week but celebrate the little victories, like our returns, for example. “X Gon’ Give it to Ya” by the late DMX is back at #72 after the passing of the hip-hop icon last week. This legendary song was actually one of his later hits – not even a hit in the States – and originally peaked at #6 in the UK back in 2003. We sadly don’t see anything else from DMX returning but we do also see Taylor Swift’s re-recorded version of “Love Story” revisiting the charts at #45 off the album boost.

Now for the songs that fell or rose this week, starting with the notable losses, being songs that dropped five spots or more. First, we have “Your Love (9PM)” by ATB, Topic and A7S at #13, followed by “Don’t Play” by Anne-Marie, KSI and Digital Farm Animals at #17, “Hold On” by Justin Bieber at #20, “Save Your Tears” by the Weeknd at #22, “Up” by Cardi B at #23, “Commitment Issues” by Central Cee at #25, “Latest Trends” by AI x JI plummeting at #28, “Patience” by KSI featuring YUNGBLUD and Polo G at #29, “drivers license” by Olivia Rodrigo at #34, “We’re Good” by Dua Lipa at #35, “Anyone” by Justin Bieber at #40, “Black Hole” by Griff at #41, “All You Ever Wanted” by Rag’n’Bone Man at #43, “WITHOUT YOU” by the Kid LAROI at #44, “Binding Lights” by the Weeknd at #46, “Goosebumps” by HVME and Travis Scott at #47, “6 for 6” by Central Cee at #48, “Medicine” by James Arthur at #49, “Head & Heart” by Joel Corry and MNEK at #50, “Met Him Last Night” by Demi Lovato featuring Ariana Grande at #54 off of the debut, “Paradise” by MEDUZA and Dermot Kennedy at #58, Doja Cat’s “Streets” at #60 and “Best Friend” with Saweetie at #61, “Tonight” by Ghost Killer Track featuring D-Block Europe at #62, “Get Out My Head” by Shane Codd at #63, “Beautiful Mistakes” by Maroon 5 featuring Megan Thee Stallion at #66, “Track Star” by Mooski at #67, “Headshot” by Lil Tjay, Fivio Foreign and Polo G at #73, “What Other People Say” by Sam Fischer and Demi Lovato at #74 and finally, whatever’s left of Drake as “What’s Next” is at #68 and “Lemon Pepper Freestyle” with Rick Ross is at #70.

Our gains are arguably more interesting, as it’s impressive to climb five spots or higher or reach the top 40 for the first time in the midst of all this nonsense. Therefore, we do have just a few gains, those being “Runaway” by AURORA at #51 off of the debut, “Nice to Meet Ya” by Wes Nelson featuring Yxng Bane making a surprise attack at the top 40 going to #39 off of the debut, “Good Without” by Mimi Webb at #18 and “Ferrari Horses” by D-Block Europe and RAYE continuing its gains up to #16. That’s pretty much it – still took a while – so let’s get through those 14 new arrivals, huh? God help me.

NEW ARRIVALS

#75 – “Marea (We’ve Lost Dancing)” – Fred again.. and The Blessed Madonna

Produced by Boston Bun and Fred again..

This is one of the songs that really padded out our new arrivals list – to explain, a lot of the time, these songs were released weeks ago and only now gain enough traction to debut within the top 75 and hence be discussed by me. This one just happens to have popped up in a week where everything is going on already so it kind of gets lost in incoherency but regardless, this is a song from Ed Sheeran’s producer Fred Gibson, who I refuse to call by his stage name, from his most recent project featuring vocals from The Blessed Madonna, most commonly known right now as the producer and DJ behind the club mix edition of Dua Lipa’s Future Nostalgia and hence the “Levitating” remix with Missy Elliott and, well, actual Madonna. The song itself is one I’m surprised is about anything but has these mostly spoken word vocals about how we as a world have “lost dancing” to the COVID-19 pandemic, as well as hugs, and, well, that’s all she decides to elaborate about. She also guarantees that once everything is over, “what comes next will be marvellous”. Whilst I appreciate the sentiment, I think it’s almost a dangerous promise, given that we’ll be in this pandemic for longer than anyone expected and it’s pretty evident that we’ll still be keeping to social distancing as the vaccine roll-out continues all throughout this year. At this point, we’re still in lockdown and international travel will still be stunted for years after the fact. This song feels like The Blessed Madonna getting on her pedestal about the arts and their impact on people without going into any detail that warrants the soapbox, bizarrely over some synth-heavy deep house beat that decides to do little more than flutter through the entirety of the five-minute runtime. Yeah, this is pretty insufferable. Next.

#71 – “Slumber Party” – Ashnikko featuring Princess Nokia

Produced by CallMeTheKidd

Okay, so TikTok picks this one up and the label then decides to push this over “Deal with It”, a brilliant pop song that was right there and already had the high-budget video to boot? Regardless, this is taken from Ashnikko’s debut mixtape of sorts, Demidevil, and whilst as a whole the project does little more than act as harmless fun guising as anything more, a couple of the singles are genuinely pretty great, including this one, which seems to be a break-out hit for rapper Princess Nokia. This song relies on the jerkiness of its almost DJ Mustard-esque club beat and that warped might-be-a-flute loop to support Ashnikko’s similarly sloppy delivery, which decides to be as in character in possible – of which I mean that it is obnoxious and frankly ridiculously stupid. This isn’t a “slumber party” at all, and whilst the childish implications are if anything kind of unnerving, there is a lot of fun to be had here if you get past the “kawaii hentai boobies” in the chorus. Nokia’s verse continues the album’s general early 2000s aesthetic with her referencing many hits and singers from that time period in a pretty slick albeit one-and-done verse that should really be extended further than it is. I mean, I would have preferred that to Ashnikko’s second verse comparing her girlfriend to the little girl from The Addams Family, before mentioning how her eyes go black when she orgasms and that her spit tastes like Juicy Fruit gum. Okay, so when it comes to filthy lesbian rap I think I prefer acts like BASSIDE but for what it’s worth, this is surreal and fun enough for me to like. I hope it does well, but know she has better songs even on that same tape.

#69 – “Versus” – SL and M1llionz

Produced by Lucas Dante and Yng Cld

Oh, hey, another drill track by two guys produced by two guys for two guys to rap about how cool it is to be the two guys they are. I guess the gimmick here is that the single actually has an instrumental version as well for whatever reason; I guess they want people to remix the track. That would make sense, as this beat is immediately recognisable from that chipmunk squeak of a glitched vocal sample they use. In fact, I think I prefer the instrumental version because when those booming 808s come in, it hits really hard especially with the scattering drill percussion. SL and M1llionz are trading bars here in what is basically one verse and it’s not like they’re saying nothing of interest here as there is a viable enough amount of detail here in these bars about exactly what you’d expect. But that’s exactly what it is: exactly what you’d expect. By the first verse, you’ve already heard SL talk about watching The Boondocks and that’s about as interesting as it gets. Sure, the interplay between the two guys in this case is pretty smooth, but it goes on for about a minute too long and M1llionz has a lot more charisma than SL so it does feel like half the song is wasted away. The producers know that too, as they decide to fade the song out very quickly after M1llionz stops rapping his final bars. This is fine – on some days, I’d probably call it really good – but it’s nothing I haven’t seen before.

#64 – “Starstruck” – Years & Years

Produced by Mark Ralph and Nathaniel Ledwidge

We’re not even out of that bottom third of the chart and we’ve still got a lot ahead of us before we get above that point. Here, we have “Starstruck”, sadly not the Lady Gaga or 3OH!3 song but instead the first officially solo song by Years & Years, which is now just frontman Olly Alexander after his bandmates’ departure, similar to Panic! at the Disco except the members seem to be on good terms, or Ritt Momney, except no one here is a Mormon missionary... yet. Whilst you could see this from a mile away if you had listened to that last album, it would be deceiving to say it’s only Olly this time around as he’s enlisted several outside producers and writers to craft a pretty straightforward love song. Well, is it any good? I’m not entirely sold on it, mostly because it seems to reject all of the lyrical intrigue there was in those past two albums – at least intermittently – for a pretty generic if not pure and lovely content, with the most interesting of lyrics being about sipping his partner up like cosmic juice, which I’ll admit got a laugh out of me. It is fitting for how this janky dance-pop song sounds as sonically it’s kind of a quirky mess with a lot of bassy grooves in the verses only to be replaced by a shiny synth blend that completely shrouds the chorus in video game sound effects and French house-esque filter effects. This sound is very much a late-2000s early-2010s throwback in some ways and throwing it back even further in others, which creates an interesting sound but not enough to not let this become easily stale after just the second chorus, especially if it’s going to purposefully fumble its climax for an awkward build-up that involves basically revealing the drop measures before it should have. Yeah, I want to like this but it just seems kind of confused as it is. I’m still going to listen to that third album whenever it comes, but I’m somewhat disappointed with this lead single thus far.

#57 – “Lingo” – Deno featuring J.I. the Prince of NY and Chunkz

Produced by Da Beatfreakz

Alright, so British rapper Deno has enlisted New York rapper J.I. – who I refuse to call by his full stage name – and Chunkz, who I’m pretty sure is some YouTuber, to hop on a beat from DaBeatfreakz, specifically this watery R&B beat with vocal loops drowned out by bass and some awkward mixing. Deno isn’t much of a presence in the verse or chorus, J.I. talks about some girl not chewing him right and Chunkz, who sounds awful on any beat with the whiny Auto-Tuned mumble, somehow doesn’t say anything of interest despite being the semi-professional comedian of these three guys, or at least not before Deno takes over his verse and they all give up for the last couple measures. Yes, that was one sentence – this song doesn’t deserve much more.

#56 – “Shy Away” – twenty one pilots

Produced by Tyler Joseph

I’ve never been that big a fan of twenty one pilots, but I was actually pretty fond of her most recent album, Trench. What fascinates me about them is how they seemed to have done really well for themselves that one time in the Blurryface era and have coasted off the success of that to fund some of their more out-there and experimental musical aspirations. I don’t think they’re looking for big hits anymore – which is good because this won’t be one – but people will always be looking out for what they do next, and they’ve just announced a new album coming soon with this as the lead single. Thankfully, it’s not that COVID-19 pandemic pandering from last year which got on my nerves a lot more than it should. “Shy Away”, instead, goes for... 1980s dance-punk, because, of course. I do love that jerky synth lead and how well it’s backed by that chugging bass and percussion, which we’ll always know is organic coming from Josh Dun. The song itself is a somewhat vague motivational track but not for no reason, as these lyrics actually originated from when Tyler Joseph was giving advice to his brother, a budding musician, trying to get him to see himself in a new light and find his unique purpose in music and not to “shy away” from continuing with his dreams. I can get behind that, especially if it’s going to have squealing guitar segues, an infectious power-pop chorus that will probably not leave my head for a long time and the excellent swell of guitars in that third verse before the brief breakdown in the post-chorus with all those squibbling synth effects. It’s just a wonderfully constructed song on all accounts, even if it sacrifices some of that unique personality we usually get from Tyler for the sake of making a tighter pop-rock song.

#52 – “You Belong with Me” (Taylor’s Version) – Taylor Swift

Produced by Taylor Swift and Christopher Rowe

I guess the best place to start with these re-recordings is the original song, which I’ve never liked. I’ve never seen a reason to enjoy Taylor’s entitled adolescent whining over some pretty garbage production making what may as well be organic country instrumentation sound like MIDI tracks. She doesn’t deliver a particularly good vocal performance, or at least one good enough to excuse “She wear short skirts, I wear T-shirts, she’s cheer captain and I’m on the bleachers”. There isn’t enough detail to make this seem like a toxic relationship so she ends up just sounding bratty. This new version, from a matured Taylor Swift a decade later, has decided not to change any of these lyrics and it just sounds worse coming from a Taylor who clearly knows a lot better and is in a happy relationship. Okay, the instrumentation sounds a lot more organic and has more of a groove than it used to, with some more intricate production moments that are cool, but that’s really the only change that improves on an already mediocre song. Taylor’s voice has improved a lot since that original recording but so has she, and her selling these lyrics with as much conviction while in her 30s just ends up sounding sad. It only makes sense to “reclaim” these songs if you’re going to try and make them your own again, and not representative of someone I don’t think Taylor is anymore. Alas, it’s listenable, but this could have been one of the more interesting re-recordings and nothing was done with it past the better mixing and a pretty epic guitar solo, even if it does feel unwarranted by the content.

#42 – “Way Too Long” – Nathan Dawe, Anne-Marie and MoStack

Produced by Scribz Riley, Tré Jean-Marie, Nathan Dawe and GRADES

For someone who is solely a producer and DJ, I say that’s two or three too many credited producers, but regardless, before we get to more Taylor Swift, which we will eventually, we’ve got some leftover house track with B-list stars that starts with the words, “Hey, yo, yo, it’s Stack Rack”. With that said, I actually kind of like this song with its strings swelling more than the usual track and its bass-heavy club groove in the verses being more complex in its percussion, especially when the sound design is that interesting in the second half of the verse as all of these effects and different synth patterns occur in the back of the mix, which kind of lets me forgive how anti-climactic the drop is. It’s not really an EDM song as much as it’s a light-hearted pop track and Anne-Marie isn’t taking it as seriously as she could, especially on that vocoder-drop chorus, which makes the song a lot more fun that it should be. MoStack is who really shines on this track though, as his verse is – probably unintentionally – very funny, as he twists the meaning of the song to a phallic joke, happily engages in monogamy, particularly with every British pop-star he can think of and says “forget quality, I want quantity”. He just lists famous singers by the end of this verse that he finds attractive and is completely gone off the deep-end by the time he’s ignored by Anne-Marie’s swell of a chorus. It’s not a great song and definitely falls into the traps that most EDM does but as it is, it’s a fun track with a surprisingly hilarious and sloppy guest verse from MoStack that I was not expecting, as well as just being inoffensive across the board.

#33 – “Mercury” – Dave featuring Kamal.

Produced by Manny Manhattan and Kyle Evans

Dave released a double A-side single – or at least whatever the equivalent for that is in the streaming age – and this was the less popular track, “Mercury”, with singer Kamal. If you don’t know Dave is, he’s one of the biggest and most celebrated rappers in the UK and this is his first solo release since 2019. I’ve usually been pretty happy with Dave’s releases – hell, Psychodrama was one of my favourite albums of 2019 – but I’m not entirely sure I can endorse this lazy trap beat relying on some gentle but overbearing pianos and groovier bass knocks. Really, the beat is pretty minimal so we can focus on what Dave’s saying, right? Well, we could, but why would we want to? Sure, there’s some good wordplay weaved into here and I don’t dislike his stories about gang violence and paranoia, even if they’re delivered in the most checked-out almost condescending way possible, but I can’t get behind the misogyny that seems to run a lot deeper than it does in typical rap. Sure, he makes the same googly-eyed observations about attractive women, describes some parts of the sex but interestingly not any part he plays, and also describes her as a “work of art”, but this is all after he dismisses women in general for not “forgiving him for his sins”, in some thinly-veiled Ariana Grande reference that leaves me more pissed off than he is, especially since Dave’s not as self-aware as he thinks he is, particularly because he himself can barely forgive himself for his wrongs in that second verse. Instead, he shrouds it in hedonism like any other rapper – what have the women got to do other than make good decisions for themselves about who they sleep with? He doesn’t go into disgusting detail like Digga D on “Toxic” but it rubs me the wrong way, especially if he’s going to then complain about the myth that is cancel culture. If this comes from a genuine place where he was genuinely attacked for something he didn’t deserve the abuse for, I’d understand, but why even complain about the supposed mob of Twitter users when the only tie you have to it is something reported on your brother by the right-wing press that everyone ignored? Other than missing the point terribly, it’s not like this song is catchy or notable. Even he acknowledges that this five-minute bore wouldn’t make the album, and it’s for good reason.

#32 – “Anywhere Away from Here” – Rag’n’Bone Man and P!nk

Produced by Rag’n’Bone Man, Mike Elizondo and Ben Jackson-Cook

So this is Rag’n’Bone Man’s second single from that upcoming album, or at least the second to chart, and after the surprisingly great post-punk rocker that was “All You Ever Wanted”, I’m excited to hear what a duet with P!nk could sound like. After all, they’re both rougher voices in the pop sphere, even if P!nk’s been doing it for much longer. Sadly, it’s a ballad... not to say they can’t do ballads well but this is a pretty minimal piano-lead track with some really badly mixed vocals from Rag’n’Bone Man as he channels an unintelligible Dave Grohl that’s way too loud in the mix, especially when the strings come in and cloud the mix. I do like the content once again with Rag’n’Bone Man as he continues to discuss the careless days of his youth, but this is more about growing older and eventually growing discontent with that lifestyle and each other, just wanting to be somewhere else. P!nk delivers this in a way that’s a lot more flattering to her voice and the instrumental, but when the borderline choir vocals come in with those terribly-mixed harmonies between the two and that pointless bridge, I give up on this song. It just refuses to go anywhere, I’m sorry, and it had a lot of potential but these voices don’t particularly mesh together especially over some basic piano and strings. This could have been great and as is, is less than mediocre.

#30 – “Mr. Perfectly Fine” (Taylor’s Version) (From the Vault) – Taylor Swift

Produced by Taylor Swift and Jack Antonoff

I didn’t listen to the re-recorded version of Fearless; instead I just listened to the six or so bonus “from the vault” tracks because that’s the only new content and I’m not big on any of it. It sounds exactly as you’d expect a 31-year-old woman reciting lyrics she wrote and shelved when she was a teenager, not even thinking they were good enough to release then, decades after the fact, and most of the songs just aren’t interesting at all. I think “Bye Bye Baby” is a great pop song but besides that there’s nothing much to enjoy in these tracks, at least from me. I know that Taylor’s biggest fans will love how she re-recorded leaked and rumoured songs that had been circulating but as someone detached from that, it does nothing for me. This song in particular is about Joe Jonas, because, of course, it was, and it’s a petty, sarcastic break-up song Taylor should be able to deliver confidently but ends up falling flat based on almost that awful verse melody alone, which is just janky, unpleasant and stretched out to the point of annoyance, especially if it’s going to be produced this well. She dug up this track seemingly only to get Antonoff on the record, and, sure, the chorus is catchy and has that one great moment with those crashing guitars, but it enjoys killing its momentum as soon as it gets going... for five minutes. Yeah, I’m sorry but I’m not interested in what was left on the cutting room floor a decade separated from the release of this re-recording, especially if this fully-fleshed instrumentation does little more than distract from how dreadfully boring this song is. Wake me up when she re-records Speak Now or especially reputation, because that will truly be fascinating.

#10 – “Kiss Me More” – Doja Cat featuring SZA

Produced by tizhimself, Carter Lang, Rogét Chahayed and Yeti Beats

I’ve forgotten to mention that three of those 14 new arrivals actually debuted in the top 10 this week, meaning, yes, whilst we’re nearly done, we’ve still got a lot to cover and we start with what seems to be the lead single from Doja Cat’s upcoming album, as she enlists SZA to assist her on this classily unclassy disco-pop song. Those main guitars do sound great, especially with Doja’s signature cooing over them, and that’s before we get to that slick pink disco groove not dissimilar to “Say So” but with a tighter, fun bassline and how quickly Doja strips off the subtlety. I could do without that mess of a post-chorus that is just a blend of too many, not very great vocal takes, but I do love how it leads into Doja’s unsubtle sex bars that actually go into some interesting detail, but not as much SZA being kind of filthy but also delivering a pretty great vocal performance, even if she starts with asking her partner for that “gushy stuff”. I do find it odd that it decides to censor “dick” of all words, but this production is great and I actually particularly like that final chorus and post-chorus once SZA starts harmonising on it. As is, it’s a pretty tight and likeable disco jam from two charismatic performers... co-written by Dr. Luke. Goddamn it, Doja, I don’t know what contract he’s got you in but Jesus, someone do something about that.

#9 – “Titanium” – Dave

Produced by Kyle Evans and P2J

This is our second Dave song and obviously the more successful of the two, at about three minutes shorter – thankfully – debuting in the top 10. It’s much better than “Mercury”, even if the song literally starts with him bragging about not needing vibrators to make his girlfriend orgasm. That said, the lyrics here are actually a lot slicker, flowing much like he did on “Streatham” as he lists so many precious metals you’d think he’s Bender. I do like the intricacies in these lyrics, even if he doesn’t really adapt it into any wordplay. He mentions how awkward that it is that his neighbours are going to vote Conservative as he brags in an almost freestyle-like structure in the single verse he spits, which has a couple flow switches and a lot more empty space than it should for a beat this awkwardly mixed, as whilst I like the trap percussion here, it really does not sound that great over borderline MIDI pianos. The little string inflections and drum fills here are cool though, and those intricacies are what makes Dave’s verse so interesting, as he foreshadows his bar about Tyson Fury with an ad-lib that Fury used himself as a build-up for his boxing matches. His JAY-Z references are also on point and pretty clever, it’s just that there’s still not much to this past that and I’m left pretty underwhelmed with these releases from Dave, even if they’re not from that next album, whenever that’s coming.

#3 – “RAPSTAR” – Polo G

Produced by Einer Bankz and Synco

Well, Lil Tjay debuted at #2 a couple weeks ago so I guess it’s only fair for his fellow “Pop Out” rapper, and the one I personally immensely prefer, Polo G to have his surprise, kind-of-out-of-nowhere top 5 debut. Much like “MONTERO”, this track was being teased for nearly a year, having first been shown as an acoustic collaboration with professional ukulele player – yes, seriously – Einer Bankz, who’s also credited with production here, in May of 2020. Just shy of a year afterwards, we get “RAPSTAR”, in the same vein of other all-caps trap songs about musical success like “ROCKSTAR” or “POPSTAR”. Maybe next we’ll get “NEOCLASSICAL DARK WAVESTAR”. Regardless, this song is basically just about being epic and Polo G can effectively sell that even in his more basic flexing because of that intermittent detail like when he says the only woman he talks to is Siri, which isn’t even a brag or a flex, more a sad admission of his crippling loneliness which I don’t think was intended. He also does more than empty flexing, discussing his past drug addictions and how he coped with that alongside all of the struggles he had to overcome at the same time. That second verse may start with him saying he’s 2Pac reborn but it goes a lot deeper into his anxieties than I expected. All of this is over a melancholy guitar-based beat with some great bass and better mixing than is expected of these pop-trap singles, even if it’s still far from perfect. Those eerie vocal loops in the background add a lot to this song and I think that chorus has a pretty great build-up, even if the percussion may seem a bit too basic and uncomplicated as an effective drop. I can’t really complain about this at all, though, as it is really good for what it is and I’m glad it’s this high.

Conclusion

And with that, I’m finally, FINALLY finished with scouring through these new arrivals and I’ll admit that it was less of a mixed bag and more of a generally positive week, at least for me, as I found more I liked than anything I disliked, particularly with Best of the Week as that goes to twenty one pilots for “Shy Away”, with the Honourable Mention going to Ashnikko’s “Slumber Party” featuring Princess Nokia, although there’s a lot to praise on the charts this week. In terms of Worst of the Week, it’s probably going to go to Fred again.. and The Blessed Madonna for “Marea (We’ve Lost Dancing)”, with a Dishonourable Mention for, sadly, Dave’s “Mercury” featuring Kamal. I would like to note that Taylor Swift was awfully closer than she should be to getting that this week. Here’s this week’s top 10:

What to expect from this week? Gosh, I don’t know. AJ Tracey? Young Thug? Either way, we’ll see whatever happens to all this – whether it gets flooded out or they all end up sticking around – next week, so I’ll see you then. Thanks for reading.

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mrmichaelchadler · 6 years ago

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How to Beat Weak Hiring Managers When You Interview

If you’re like me, you’ve routinely got friends, family, and colleagues asking you for career advice. When it comes to the topic of interviewing, I’m on record as saying that you should let the person interviewing you for a job talk as much as they want.

The more you let the interviewer talk – even encourage her to talk (that’s the key) – the more you win. Do you give the same advice to your tribe as an HR/recruiting pro?

Basically, it works like this- the more your interviewer talks, the more she’s going to feel LIKE IT WENT ABSOLUTELY FANTASTIC. Sure, she talked 90% of the time. You did the head nod and appeared pliable. That’s the sign of a great hire for most managers!! Whether they know it or not…

Let them talk if they want to talk. PS, hiring managers – your job is to get your airtime down to 20% of the interview – do more than that and you’re just waxing poetic instead of extracting information.

I’ve got another one for the candidates who want to be loved in any interview process – I’ll call it the “+1” strategy, and it’s designed to take advantage of anything the hiring manager says in the interview.

Your interview is full of opinions and insights coming from the interviewer. They’re trying to build flow. Your job as a candidate is to use that and build even more momentum. Here’s how you do it:

You hear the interviewer/hiring manager share an opinion or experience they appear to view as positive. You automatically grab something from your past that shows you’ve had a similar experience. That’s a +1 strategy.

Non-work-related example – Hiring Manager complaining about DMV. You share your worst DMV experience. Shared misery +1.

Politics example – Hiring manager complains about Trump. You’re a Democrat, so you do what most Democrats do – leave Obama alone and go after Hillary (her own email server? The gall…). Politics +1, and you hit your own party in a way you can live with +1.

Work-Related example – Hiring manager is proud of his Mac, talks trash about IT. You’ve never owned a Mac in your life and trust one as much as you trust the French, but you know what to do – ask whether he’s getting the iWatch (+1), then move with his answer – if he likes it, you say you’re intrigued by it, if he doesn’t, talk about lack of functionality, etc. Another +1.

Common sense? Sure, but you’d be surprised how many candidates are too uptight to pull it off.

You need +1’s – if you didn’t come out of the interview with at least 4-5 +1’s, you didn’t have a good day as a candidate.

FYI – don’t try this with me. You bring that weak stuff to me in an interview, I’ll take you down a path of follow up questions designed to “out” you as a +1er. I’ll basically whip you around like a cat whips a barely-alive chipmunk on your porch.

For everyone else – it’s a great strategy.

The post How to Beat Weak Hiring Managers When You Interview appeared first on Fistful of Talent.

from Fistful of Talent http://bit.ly/2F59jf2

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bbpopblog-blog · 7 years ago

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The 100 Greatest Boy Band Songs of All Time: Critics' Picks

If there's one thing we've learned about pop music over the last half-century, it's that while the boy band might not always be at pop's center, it's somewhere orbiting around it -- and will be back soon enough.

From the early '70s to the mid '80s to the late '90s to the early '10s to now, boy bands have seemingly always arrived in American pop culture in waves, crashing onto our shores suddenly and dramatically. Sometimes they come from elsewhere -- the U.K., Korea, even nearby Latin America -- and sometimes they spring up locally, from unexpected hotspots like Gary, Indiana; Tulsa, Oklahoma; Orlando, Florida. But each time they come, pop music is never the same afterwards -- nor are the lives of tens of millions of screaming young'ns whose early adolescences will come to be defined by their songs.

This week, Billboard is celebrating this venerated pop institution with a week of boy band-related coverage, starting with our list of the 100 Greatest Boy Band Songs of All Time -- spanning nearly the entire Hot 100 era, and recognizing the absolute tops in innocent male harmonies and synchronized dance moves.

But what is a boy band, you may ask? Ask any two music fans that question and you might get answers as varied as if you asked a 47-year-old FM DJ and a 19-year-old SoundCloud rapper to define "hip-hop." There are common elements most everyone can agree on as being obviously boy band-core, natch: the aforementioned harmonies and dancing, as well as matching outfits, major pop choruses, a puppet-string-pulling svengali behind the scenes, a general sense of ridiculousness (and a relative lack of self-consciousness), and of course, youth.

But aside from basic membership -- by pretty much all definitions, boy bands need to have at least three members and be all male -- there's no one unifying factor that links every boy band in history; name any classic trope of the format and we can name at least two obvious boy bands who it doesn't apply to. If anything, what really unites boy bands throughout history comes not in their conception, but in their reception: How young, rabid and ear-splittingly friggin' loud was their fanbase? If the answer is at least "very" to all three of these, you're already 80 percent of the way there.

Ultimately, we took every boy band argument on a case-by-case basis, and came to some difficult conclusions. Some groups, like 5 Seconds of Summer, were deemed eligible even though their structural makeup wasn't classically boy band, because the way they were marketed and fan-devoured was. Others, like The Beatles -- yes, The Beatles -- were given the boy-band OK for early stretches of their career, but a hard cutoff was instituted for after they matured and self-actualized as just a "band." And some, like modern self-identifying "boy band" BROCKHAMPTON, were just a little too far outside the conventional sound of a boy band for us to make the mental leap -- for now, anyway.

But enough trying to be Webster's, let's get to the songs -- with a Spotify playlist of all 100 of 'em at the bottom. They're original, they're the only ones, they're (occasionally, unthreateningly) sexual, and they're definitely everything you need.

100. The Chipmunks, "The Chipmunk Song (Christmas Don't Be Late)" (1958)

The animated rodent OGs of the boy band game, Alvin, Simon and Theodore set pre-adolescent hearts of all species aflutter in the late '50s with this sweetly harmonized Christmas classic. Amazingly, 50 years after Alvin and the boys originally caused David Seville holiday high blood pressure with their blasé vocal timing and incessant demands for gift hula hoops, they were still starring in hit movies, reflecting a luxury afforded to precious few boy bands throughout history: Pop culture got older, but they stayed the same age. -- ANDREW UNTERBERGER

99. B2K, "Uh Huh" (2001)

B2K reshaped the concept of the black boy band in the ‘00s with a sound that leaned more toward TRL-era pop than the standard R&B of the time, beginning with their catchy '01 debut single “Uh Huh.” The buzzy synths, lead singer Omarion’s sensual vocals, their feathery harmonies and that booty-popping bassline made the track one of the biggest highlights of the band’s short-lived career. -- BIANCA GRACIE

98. 5 Seconds of Summer, "Girls Talk Boys" (2016)

5 Seconds of Summer already won our hearts with their modern take on pop-punk, but 2016’s “Girls Talk Boys” (from the soundtrack to the Ghostbusters remake, of all things) was a refreshing dive into funk. With the help of hitmakers Ricky Reed and Teddy Geiger, the guys switched their rowdy electric guitar for a summery Nile Rodgers-style riff and gang-vocal harmonies that had everyone floating to the disco dancefloor. -- B.G.

97. Big Time Rush feat. Snoop Dogg, "Boyfriend" (2011)

With a Nickelodeon series bringing these four together, Big Time Rush was essentially the modern-day Monkees with their goofy antics and good looks. But as their most successful single proved, they also had the musical ability to be equally successful outside their TV framework: “Boyfriend” has an irresistible hook, suave verses, and a chorus that not only shows their range, but also makes it near impossible to not sing along. The guys even compare their affection to the Twilight love affair — what more could a googly eyed teen want? -- TAYLOR WEATHERBY

96. 98 Degrees, "Because of You" (1998)

Delightfully G-rated pop fare: 98 Degrees’ first of four top 10 hits on the Hot 100 chart, “Because of You” proudly revels in Hallmark-ready sentiment — “You’re my sunshine after the rain,” the foursome coos at the start of the chorus. The pillowy guitar snap and four-part harmonies are doused in an earnestness that impressively resists anything resembling an edge. -- JASON LIPSHUTZ

95. Mindless Behavior, "My Girl" (2010)

Teen quartet Mindless Behavior were about six months early (and maybe a couple years too young) for the great boy-band boom of the 2010s, and never saw the major crossover success of some of their successors. Still, debut single "My Girl" was a popcorn-love head-nodder irresistible enough to get them gigs opening for Janet Jackson and Justin Bieber, and even to earn a cameo from adult R&B star Ciara on the song's remix. -- A.U.

94. 2Gether, "The Hardest Part of Breaking Up (Is Getting Back Your Stuff)" (2000)

Breakups are never fun, but thanks to this fivesome, singing about heartbreak was momentarily hilarious. The song’s pounding beat, along with silly lyrics about losing their belongings (not to mention a handful of cat meows), makes you forget that the source of the song is a relationship ending. But the best part about “The Hardest Part of Breaking Up” is that 2Gether created one of the most memorable breakup tunes of the boy band era, despite existing solely to mock such groups. -- T.W.

93. Nu Flavor, "Sweet Sexy Thing" (1997)

The final reverberation of the Color Me Badd era of boy bands before the Max Martin era officially took effect, Long Beach quartet Nu Flavor showed up in '97 with a pair of pillowy soft post-New Jack Swing R&B ballads to scrape the Billboard Hot 100: "Heaven" and "Sweet Sexy Thing." Of the two, the latter was the less resistible, a mid-tempo groove and seductive vocal so gentle that the quartet literally showed up outside their girl's window with a bedspread for her to jump into in the video. -- A.U.

92. JLS, "Beat Again" (2009)

Boy bands never seem to go out of style for too long overseas, so British quartet JLS was able to leap from The X Factor to U.K. stardom pretty easily at an otherwise down period for the format. It helps that they had "Beat Again," a Steve Mac-helmed pulser with a memorably bleating synth hook and a fantastically melodramatic chorus built around the title phrase (as in, "They're telling me that my heart won't...") -- which very easily could've been a solo smash for Chris Brown or Jesse McCartney stateside. -- A.U.

91. The Monkees, "(Theme From) The Monkees" (1966)

No, it's not a clever title – the Monkees' 1966 single "(Theme From) The Monkees" is quite literally the theme song to their '66-'68 TV series. Discerning rock fans clocked it for the blatant Beatlemania cash-in that it was, but for young listeners who were growing alienated by the increasingly experimental Beatles, the TV quartet scratched a profitable preteen itch that the industry was only just beginning to realize had existed for some time. The Beatles might have inadvertently created boy bands, but here's where it became intentional. -- JOE LYNCH

90. Another Bad Creation, "Iesha" (1990)

After becoming a star with New Edition and Bell Biv Devoe, but before owning the '90s with his progeny in Boyz II Men, the most impressive magic trick pulled by Michael Bivins might've been making New Jack Swing-era stars out of playground-age hip-hop collective Another Bad Creation. The group's breakout hit "Iesha" is most stunning for its sheer forcefulness, built on a squall of synth stabs and Public Enemy samples that the group's pre-pubescent voices sound fairly out of place over -- but potent enough to have kicked down the doors on the youth movement from the Atlanta area that decade, which would see Kris Kross, Monica and Usher all become teenage megastars before the turn of the millennium. -- A.U.

89. A1, "Caught in the Middle" (2001)

An unusually downbeat boy band ballad, striking in its minor-chord melancholy and sighing, resigned chorus -- with a stinging cold-weather video that's pretty much the exact inverse of Backstreet Boys' hot cocoa-tinged original "I'll Never Break Your Heart" visual. Appropriately for a song of such sublime frustration, "Caught in the Middle" got stuck at No. 2 on the U.K. charts, caught behind Enrique Iglesias' "Hero" -- on 2/2/02, no less. -- A.U.

88. Busted, "What I Go to School For" (2002)

A year before “Stacy’s Mom” shook up your after-school routine, another older woman was providing indelible pop-rock pleasures across the Atlantic. The British boys of Busted were hot for teacher on their 2002 debut single, and while their hormonal ogling was hardly subtle -- “I fight my way to the front of class, to get the best view of her ass/ I drop a pencil on the floor, she bends down and shows me more” -- the song’s gentle blurring of reality and schoolboy fantasy was sweet enough to inspire this sanitized Jonas Brothers cover. -- NOLAN FEENEY

87. VIXX, "Dynamite" (2016)

“Dynamite” proves that when VIXX isn’t beckoning Starlights into the darkness with horror themes, they can pull off brighter concepts while maintaining their mystique. The playfulness of the funky tune belies the dense layers of sonic textures: As the sextet pines over lost love, this uptempto interplay of sax riffs and electronic flourishes eventually breaks down into a slow jam R&B bridge. This track represents K-pop at its peak, balancing commercial viability with experimental songwriting. -- CAITLIN KELLEY

86. The Wanted, "I Found You" (2013)

The height of The Wanted's U.S. stardom only lasted for the year of 2012, but it's still perplexing that 2013's "I Found You" didn't get them at least another couple months' juice -- the song's blaring, brain-pummelling accordion hook (again courtesy of producer Steve Mac), gloriously falsetto'd chorus and frenetic breakdown section all made it feel like the logical next step from breakthrough "Glad You Came." (A video that verged on the, uh, too-adult might've had something to do with the song's stalling at No. 89 on the Hot 100.) -- A.U.

85. Bay City Rollers, "You Made Me Believe in Magic" (1977)

Like everything else, Rollermania went disco in '77, as the group of Scottish once-teen sensations cranked up their BPMs and reached higher on their fretboards for the blazing "You Made Me Believe in Magic." Sadly, the "Magic" was running out for the group, who would only have one further chart hit before fading into obscurity, but the song was thrilling enough to make it seem like the good times could keep Rolling for the group well into post-adolescence. -- A.U.

84. LFO, "West Side Story" (2000)

While “Summer Girls” is inarguably LFO’s staple tune, “West Side Story” is the hit that should’ve been from the trio’s self-titled debut album. You just don’t hear an acoustic guitar riff that jazzy in songs anymore! And in the way that “Summer Girls” made every girl want something from Abercrombie & Fitch, this one likely resulted in those A&F-wearing girls rushing to change their names to Veronica. -- T.W.

83. Hi-Five, "She's Playing Hard to Get" (1992)

It wasn't Hi-Five's biggest Hot 100 hit -- that'd be 1991's chart-topping "I Like the Way (The Kissing Game)" -- but it's the one that stands as the Waco, Texas quintet's most winning groove a quarter-century later. The sentiment might not be received quite as naively in 2018 -- "She's playing hard to get/ She just won't admit that she likes me" -- but the group's vocals are sugary and innocent enough to impose no real threat, and the "she likes me, she liiiiiiiiiikes me" chorus exhortations are too sweet and ridiculous to find any real objection to. -- A.U.

82. O-Zone, "Dragostea Din Tei" (2004)

A successful song lyric doesn’t need to make sense, it just needs to feel good -- so say Zedd and Max Martin in defense of the infamous “Now that I’ve become who I really are” line from Ariana Grande’s “Break Free.” And nothing proves their point quite like this viral Romanian-language hit, which served as an ecstatic, fist-pumping reminder of music’s power to connect across borders and managed to convey uninhibited joy better than any phrase in the English language probably could. -- N.F.

81. LMNT, "Juliet" (2002)

There aren’t very many songs that can seamlessly bring together an electric and acoustic guitar, but LMNT’s debut hit did so in rocking (and insanely catchy) fashion. Accompanying the slick instrumentals are equally crafty lyrics, including the track’s standout line, “I just want you to know, I want to be your Romeo/ Hey Juliet” -- and on top of that, there’s a key change. This song didn’t become the chart killer it should’ve been, but in the eyes of boy band fans, LMNT crafted a megahit. -- T.W.

80. The Osmonds, "Crazy Horses" (1972)

In the oddball competition for Boy Band Song Most Often Covered By Metal Groups, "Crazy Horses" almost certainly emerges victorious, thanks to its squealing guitar hook, wailed vocals, propulsive groove and chanted chorus. It was a strange look for the notoriously clean-cut Osmonds, but not a totally unintentional one, as the group provided one of the earliest examples of a boy band bucking against the establishment that produced them: "Before that, my brothers and I had been what’s now called a boyband: all our songs were chosen for us by the record company," singer Merrill Osmond later recalled. "But now, having been successful, we wanted to freak out and make our own music." -- A.U.

79. Immature, "Never Lie" (1994)

West Coast teen trio Immature -- now known as IMx -- were as memorable for their eyewear as their vocals: Two of 'em wore John Lennon-style sunglasses with round lenses, while third member Young Rome wore an eye patch, apparently due to an incident suffered at the hands of fellow teen sensation Brandy. But Hot 100 top 5 hit "Never Lie" endures as a disarmingly tender acoustic ballad, recently remixed by Stones Throw producer Knxwledge to memorably stripped- and pitched-down effect. -- A.U.

78. Seventeen, "Adore U" (2015)

Few K-pop groups nail a perfect debut, but “Adore U” is practically Seventeen’s mission statement: From the get-go, the 13-member ensemble established that their performances pair a theatrical playfulness with hooks to spare. A slapping bass groove underpins the frothy funk of this confessional confection. Produced by the group's vocal leader, Woozi, the track's catchy chorus is flanked by an array of unexpected instrumentals. (Not many boy bands can lay claim to an accordion breakdown.) But amid the endless moving parts, Seventeen mastered how to make them feel simultaneously distinctive and cohesive. -- C.K.

77. Jodeci, "Forever My Lady" (1991)

Impending fatherhood isn’t typical boy band fare, and despite the opening of “Forever My Lady”, none of the young men of Jodeci was on the verge of having a baby in the spring of ‘91. That was the lyrical contribution of New Jack Swing exemplar Al B. Sure!, who co-wrote “Forever My Lady” with producer DeVante Swing. Lead vocalists K-Ci and Jojo brought the sweet and rough, youthful but adult style that defined the group, fulfilling the dream of Sean Combs to imbue an R&B group with the edge of hip-hop. -- ROSS SCARANO

76. Brother Beyond, "The Harder I Try" (1988)

U.K. quartet Brother Beyond briefly cameo'd on the U.S. pop charts with the jazzy R&B of 1990's Hot 100 top 40 hit "The Girl I Used to Know," but their more delectable entry to the boy band canon came with their breakout hit across the pond, the No. 2-peaking British smash "The Harder I Try." The swinging Stock/Aitken/Waterman-engineered single threw back to '60s Motown better than any U.K. outfit since Wham!, though it was kept off the top of the charts by a couple of actual soul covers: Yazz's "The Only Way Is Up" and Phil Collins' "Groovy Kind of Love." -- A.U.

75. Troop, "Spread My Wings" (1989)

Written and produced by the underrated Chuckii Booker -- a Zelig-type chameleonic figure in '90s R&B -- "Spread My Wings" was the appropriately soaring, weightless first chart-topping R&B single for the Pasadena quartet of childhood friends. The video, debuting at the turn of the '90s, may have been even more iconic, helping establish all sorts of boy band visual precedents for the decade to come: Rooftop dancing, unnecessary mixes of color with black and white, and of course, hefty amounts of beachside contemplation -- A.U.

74. Hanson, "Weird" (1997)

One of the less-celebrated singles from the trio’s breakthrough 1997 album Middle of Nowhere, “Weird” is a gentle, delicately written ballad that showed the brothers’ strengths outside of upbeat pop. That it had a true-to-song-title music video directed by Gus Van Sant where they float in a water-filled subway car and maneuver around pairs of twins only adds to its enduring mystique. -- STEVEN J. HOROWITZ

73. New Edition, "Mr. Telephone Man" (1984)

Written and produced by Ray Parker Jr. (of "Ghostbusters" fame), "Mr. Telephone Man" is a twinkling mix of smooth R&B and sugary synths that tells the story of… well, to be perfectly honest, it's about a guy harassing a woman with nonstop telephone calls. But in 1984, that persistence was taken as "cute," particularly coming from baby-faced New Edition. But even modern listeners skeeved out by the lyrics can appreciate how convincingly Ralph Tresvant sells the innocent ache of puppy love when he comes in at the 42-second mark, pleading with the operator: "Something must be wrong with my phone / 'Cause my baby wouldn't hang up on me." -- J. Lynch

72. Magneto, "Vuela, Vuela" (1991)

In the '90s, Magneto conquered charts internationally with “Vuela, Vuela." The title track from the Mexican boy band's seventh studio album was the Spanish version of “Voyage, Voyage,” a French song recorded by Desireless in 1986, but it was even bouncier and more transportive than its predecessor. Magneto was also known for their romantic ballads, such as “Para Siempre” and “La Puerta del Colegio." -- SUZETTE FERNÁNDEZ

71. Take That, "Never Forget" (1995)

A boy band ballad of unusual self-awareness and perspective, in which the five members of the most successful U.K. pop group of their generation take a moment to pause from being a phenomenon to reflect on how it probably won't last forever: "Finding a paradise wasn't easy but still/ There's a road going down the other side of this hill." The most stunning line comes in the chorus, when singer Howard Donald acknowledges, "Someday soon, this will all be someone else's dream" -- a lyric the group has gone as far as to change to "Justin Bieber's dream" in post-reunion live renditions. -- A.U.

70. Why Don't We, "Something Different" (2017)

The genius of Why Don’t We’s first hit is in its infectiously hooky chorus -- which only says two words. It’s hardly even obvious that the guys sing nothing more than the song’s title in its chorus, as the bouncy melody makes it impossible to not dance and sing along. While Why Don’t We are still pretty new to the boy band scene, they proved they indeed do have something different with their breakout hit, incorporating bass-heavier beats, as well as five totally unique voices that shine in their own way. -- T.W.

69. Westlife, "Swear It Again" (2000)

Perhaps one of the most “all the feels” kind of songs in boy band history, Westlife’s biggest U.S. hit tugs at the heartstrings in the best way with vow-like verses and passionate vocals. As a quintessential song of its type should, “Swear It Again” gives each member time to shine on their own, bringing all five voices together on the chorus. Aside from the voices, the mix of the evocative piano in the beginning and the dynamic violins throughout the song help the guys’ heartfelt lyrics truly land, making this as timeless as it is classic boy band material. -- T.W.

68. The Boys, "Dial My Heart" (1988)

Accurately named Motown brother quartet The Boys -- whose youngest member was a whopping nine years old when the group released their '88 debut album Messages From the Boys -- burst into late-'80s pop with this infectious mini-banger, written and produced by the then-bulletproof duo of Babyface and Antonio "L.A." Reid. The then-irresistible chorus may have inevitably dated some, but listen to "Email My Heart" from the first Britney album a decade later and realize how timeless references to payphones answering machine messages seem by comparison. -- A.U.

67. SHINee, "Lucifer" (2010)

Few boy bands do propulsive electro-pop as well as SHINee, and the quintet took things to a new level early on in their career with the futuristic “Lucifer.” Strong vocals soar over this urban dance track, which overflows with ‘80s-style digital quirks and was propelled by the militaristic, chanting refrain of “loverholic, robotronic.” The group has since gone on to explore a variety of genres to immense success, but the forceful charisma of “Lucifer” still stands as one of the most dynamic pieces from SHINee. Not too shabby for a song Bebe Rexha wrote in her bedroom. -- TAMAR HERMAN

66. Dream Street, "It Happens Everytime" (2000)

Wherefore art thou, Jesse McCartney? The '00s solo pop star only lasted with his original outfit for just one album as a young teen, but we’ll always have “It Happens Every Time,” a single so saccharine that it supposes the group name to be a real destination in which romantic magic can be conjured. J-Mac may have flipped his property on Dream Street, but it’s still worth a three-minute visit. -- J. Lipshutz

65. One Direction, "Story of My Life" (2013)

If you mix the boy band formula with the Americana-style of early Mumford & Sons, you’ll get One Direction’s “Story of My Life,” the group's radio-conquering second single from their third album, Midnight Memories. The swell of the foot-stomping chorus combined with the bubblegum pop of 1D makes for one of the most effective and singular songs in the band’s catalog. -- DENISE WARNER

64. McFly, "5 Colours in Her Hair" (2004)

McFly always had a bit of a bad-boy vibe to their guitar-heavy tunes, especially thanks to the gritty vocals of co-frontmen Danny Jones and Tom Fletcher, and “5 Colours In Her Hair” was the perfect introduction to that. Adding a hint of surfer rock to their slightly risqué lyrics, reverb-drenched electric guitar and striking, Beatlesque harmonies, McFly’s high-energy breakout hit is the perfect example of a not-so-conventional boy band jam. -- T.W.

63. Jonas Brothers, "S.O.S." (2007)

Before officially releasing "S.O.S." as a single in 2007, Joe, Nick and Kevin had already established that they were more rock than a typical boy band with hits like “Year 3000” and “Hold On.” Yet this track from their self-titled debut LP set that in stone. The opening guitar riff in itself is enough to get the room moving, and the JoBros carry the jamming through the entire song -- which makes you forget that it's actually a breakup tune. And if you don’t consider them as much of a boy band as their predecessors because they don’t dance, just remember that the Jonas Brothers wrote lyrics like, “Next time I see you/ Givin’ you a high five/ ‘Cause hugs are overrated just FYI.” Who needs choreography when you’ve got lines like that? -- T.W.

62. Wanna One, "Energetic" (2017)

“Energetic” is pop formula tweaked to such perfection that it transcends being generic: Small wonder why it was the fan-voted debut song for the reality television-created K-pop group, Wanna One. The slow piano opening gradually builds into a propulsive dance track, marked by monotonous deep house beats simmering below whirring synths. Jaehwan reaches stratospheric notes while Daniel impresses as the center dancer. The temporary supergroup’s first foray outside of Produce 101 became a showcase for the newly formed synergy between the 11 handpicked members. -- C.K.

61. East 17, "Stay Another Day" (1994)

A ballad with no rhythm track and just sparse instrumentation, with the vocals of the English quartet's put firmly front and center. Good idea, since the group has the chops to shine through, and the song -- written by East 17 member Tony Mortimer, at least in part about his brother's suicide -- is a stunner, the rare boy band ballad that could accurately be described as elegiac. -- A.U.

60. Musical Youth, "Pass the Dutchie" (1982)

The Billboard listings of the early '80s were hardly littered with reggae bops from underage U.K. outfits, but the diverse playlists of MTV's infancy helped alllow for many such unexpected crossovers. "Pass the Dutchie" was a retooling of a marijuana-themed Mighty Diamonds song, made into a more despairing poverty lament (a "dutchie" is a cooking pot) -- but that wasn't what listeners latched onto as much as the song's infectious bass groove, singalong chorus and unforgettable ad libs ("Ribbit!"). -- A.U.

59. Backstreet Boys, "Quit Playing Games (With My Heart)" (1997)

It's hard to believe that the Backstreet Boys have been around for almost a quarter of a century, but perfect mid-tempo jams like this remind us of why they’re the GOAT. This classic was released in May 1997, ahead of their debut album, and it eventually went platinum and climbed to No. 2 on the Billboard Hot 100. Also, who can forget how everyone wore matching white pants in the music video? Iconic. -- GAB GINSBERG

58. PRETTYMUCH, "Would You Mind?" (2017)

Simon Cowell’s new pet project can sing and dance as well as the rest of them, but their a cappella skills set them apart from the rest. The group's breakthrough single kicks off with some perfectly harmonized vocalization, and a slamming beat that throws back to the Fresh Prince era. It’s the band’s debut track, and it remains one of their best. -- G.G.

58. EXO, "Growl" (2013)

A brilliant example of finely produced pop, “Growl” remains one of the most emblematic K-pop songs of all time. EXO’s 2013 hit brought the then-12-member act to new heights with its blend of R&B, pop, and Southern hip-hop. The songwriting played up the group’s size and vocal diversity with its tempo changes and tonal shifts, as sweeping harmonies, commanding raps, and heavy-handed Auto-Tune surround the funky “I growl, growl, growl” hook. -- T.H.

56. New Kids on the Block, "Tonight" (1990)

Between its opening guitar plucks and its repeating “la la la las,” “Tonight” slides back and forth between a slow love ballad and a fast-paced jam. But besides being an underrated, uncharacteristic New Kids on the Block gem, the song also serves as a tribute to the fans who screamed and cried for NKOTB as they bounded their way to the top, paving the way for other boy bands to do the same — most notably with Backstreet Boys' "Larger Than Life.” -- D.W.

55. The Click Five, "Just the Girl" (2005)

You might know this power-pop gem -- written by Fountains of Wayne bassist Adam Schlesinger -- from the John Tucker Must Die soundtrack; otherwise, anyone watching Disney Channel during the year 2005 was undoubtedly obsessed with it. It peaked at No. 11 on the Billboard Hot 100, making it The Click Five's most commercially successful single to date. Best listened to in a sandwich containing their other bops "Good Day" and "Pop Princess." -- G.G.

54. Soul for Real, "Candy Rain" (1995)

“Have you ever loved someone/ So much you thought you'd die?” typically aren’t the dramatic opening lyrics you expect to hear from guys in their teens and early twenties, but this hopeless devotion is what made Soul 4 Real’s “Candy Rain” a song to adore from the first listen. On the surface, the track is immediately compelling as an R&B jam due to its subtle New Jack Swing influence. But their harmonized croons of puppy love is what gives the track its boy band appeal. -- B.G.

53. Menudo, "Hold Me" (1985)

Menudo’s “Hold Me” was the Latin teen sensations' only song to chart in Billboard’s Hot 100, peaking No. 62 in 1985. The English-language song featured a new generation of members -- with Charlie Massó, Roy Rosselló, Robi Rosa, Raymond Acevedo and, of course, Ricky Martin -- and a sparkling synth-pop sound, to go with an impossibly infectious chorus, which made it a seamless fit in mid-'80s American pop. -- S.F.

52. *NSYNC, "It's Gonna Be Me" (2000)

As *NSYNC's sole Billboard Hot 100 No. 1 hit -- incredibly enough -- "It's Gonna Be Me" benefits from pop mastermind Max Martin's magic touch and an insanely catchy cascading hook. Just as importantly, the turn-of-the-century classic sparked one of the best memes of all time: Thank you, Justin Timberlake, for making the word "me" sound like "may," thereby launching a thousand iterations of “It’s Gonna Be May” jokes. Even a photo of Ramen noodles does the trick these days. -- G.G.

51. O-Town, "Liquid Dreams" (2000)

The debut single of the Making the Band-assembled Orlando quintet O-Town, "Liquid Dreams" made a first impression quite unlike any other in boy band history -- essentially compiling the group's own canon of turn-of-the-century hotties (Tyra, Madonna, HALLE B!, etc.) and casting them as the "star of [their] liquid dreams." The implications are squirmy, no doubt -- though the approach is so quintessentially adolescent it's hard to see it as anything grosser than run-of-the-mill teenage perviness. But the group's horny energy is well-harnassed by the squelching beat and clever songwriting, and the overstuffed chorus is as sticky as, well... we've already said too much. -- A.U.

50. CNCO, "Reggaeton Lento" (2016)

CNCO's "Reggaeton Lento," released in 2016 and part of their debut album Primera Cita, is the song that really broke the La Banda-formed quintet internationally, especially with its Spanglish version with Little Mix. "Reggaeton" topped Billboard's Latin Pop Airplay for one week in Feb. 25, 2017, and racked up over half a billion combined Spotify spins between its two versions, thanks to the song's exhilarating chorus and undeniable title-described bounce. -- S.F.

49. BTS, "DNA" (2017)

For much of the general American public, “DNA” was a welcome first time with BTS. The earworm of a hook is built around a scale-sliding whistle sample, while the acoustic guitar adds an earthy dimension to the EDM-heavy collage of sounds. The septet trades their more hard-hitting hip hop for poppier fare, while their flow lightens in step with the galloping beat of the song. A historic No. 67 hit on the Hot 100 in October 2017, it's fair to say the global superstars behind "DNA" have found their destiny as record-breakers who continue to destabilize Western assumptions about K-pop. -- C.K.

48. 5ive, "When the Lights Go Out" (1998)

For me, boy bands who weren’t afraid to be a little raunchy were always more appealing. And the London-bred 5ive preferred to get down and dirty with songs like “When The Lights Go Out.” Don’t let the dance-pop production fool you -- this was not the typical Max Martin bubblegum jam. The menacing synths and booming bass match the intensity of the lyrics. The single soon became an international smash, peaking at No. 10 on the Hot 100, proving there were plenty of boy band fans who wanted to get their freak on in poor visibility. -- B.G.

47. 98 Degrees, "Give Me Just One Night (Una Noche)" (2000)

The suave boy band had already found mainstream success with 1998’s 98 and Rising and subsequent holiday album This Christmas, which raised the stakes for its follow up, 2000’s Revelation. Lead single “Give Me Just One Night (Una Nocha)” marked a turning point for the quartet, who graduated from boys to men with a turn-of-the-century, Latin-inflected bilingual bid to score with a love interest -- scoring their biggest hit as a lead artist on the Hot 100 to date in the process. -- S.J.H.

46. Troop, "All I Do Is Think of You" (1990)

A second-generation boy band hit -- the ballad was originally a B-side to the Jackson 5's "Forever Came Today" single back in the mid-'70s. Nonetheless, Troop's early-'90s version became near-definitive; with its lush, layered harmonies, gauzy production, and molasses-slow sway, imbuing every lyric with the rose-colored daydreaminess you'd expect from a song with this title and chorus. -- A.U.

45. Backstreet Boys, "Larger Than Life" (1999)

The vocoder. The harmonies. The gigantic chorus. “Larger Than Life” has everything you need in a late-'90s boy band anthem. But the Backstreet Boys took the “grateful for our fans” playbook that NKOTB used with “Tonight” and turned it up a notch for the turn of the millennium. The Boys weren’t just thanking us; they made us larger than life right along with them. -- D.W.

44. Super Junior, "It's You" (2009)

Coming off of the success of their mega-hit “Sorry Sorry,” Super Junior served up near-perfection with their rhythmic electro-pop track “It’s You.” Driven by clapping beats and wispy synths, the group dramatically declares their feelings for a lover as the song blends dance and ballad elements. There’s a sense of heartfelt fervor in the tune, as breathy verses lead into the surge of the tick-tocking chorus, before dropping back into a soft, repeated refrain of “oh, only for you.” It may not have seen the virality of its predecessor, but “It’s You” served up melodic glory from the boy band, and remains one of their finest moments. --T.H.

43. 2Gether, "U + Me = Us (Calculus)" (2000)

MTV cobbled together a fake boy band as a response to the pop music explosion in the late ‘90s and the sudden proliferation of all-male groups. But the network pulled quite the trick: Even though their songs were satirical, they were done in such step with the musical style of the time that they actually worked about as well as the songs parodied. “U + Me = Us (Calculus)” may be hung on a purposefully ridiculous theme and start with a nonsense intro ("I'm losing my hair and my vision is shady/ Last night I dreamt of an overweight lady") , but the harmonies are strong and the tune is catchy -- as was the rest of their eponymous 2000 debut, which peaked at No. 35 on the Billboard 200. -- S.J.H.

42. One Direction, "Steal My Girl" (2014)

The first single off Four marks the beginning of the end of One Direction's original lineup, as "Steal My Girl" plays on the depth of their singular voices and their strength as a five-man outfit. Harry, Niall, Liam, Louis and Zayn show they've got the range on "Steal My Girl," which has them bouncing from soft, sensitive verses to the track's belt-it-out chorus in the drop of a single measure. They all praise the object of their affection for her one-in-a-million originality, making "Steal My Girl" less of a jealous anthem and more an all-caps love letter that just so happens to sound great when an entire arena is singing along with it. (Added bonus: The video that accompanies "Steal My Girl" is one of the best the lads released, with a surreal cast of characters -- including a marching band, a friendly chimpanzee, some sumo wrestlers, a cluster of ballerinas and ... Danny DeVito.) -- HILARY HUGHES

41. TVXQ!, "Mirotic" (2009)

The last single released by TVXQ! to feature their original five-member lineup, this simmering electro-pop song is a dark, sultry tune that thrives on its offbeat production. Serving up powerful vocals, notably MAX’s belting and XIA’s crooning, over a reverse bass beat, fizzy synths, and layered harmonies, “Mirotic” is the magnificent epitome of what K-pop sounded and felt like in the late 2000s. Like many such classics, it was mired in controversy after Korean censors determined that its hook of “I got you/ under my skin” was too erotic for general airplay, ensuring that “Mirotic” was remembered as one of the sexiest songs the iconic K-pop act ever released. -- T.H.

40. SoulDecision, "Faded" (1999)

The seductive bass line of “Faded" makes it no secret that SoulDecision’s biggest hit is one scandalous track, and listening closely to the lyrics make that very clear. Yet the groovy melody makes “Faded” so catchy that the super-forwardness of the song’s message (i.e. “At the end of the night when I make your mind/ You’ll be coming on home with me”) is disguised in a way that makes anyone want to dance, and the seductively breathy vocals are convincing enough that the pick-up plea might actually end up working. -- T.W.

39. Son by Four, "A Puro Dolor" (1999)

Son By Four's heart-rending "A Puro Dolor" is a timeless fan favorite that boasts more than 114 million views on YouTube. In 2001, the band -- founded in 1996 by brothers Carlos and Jorge Montes, their cousin Pedro Quiles and Ángel López, who has since left the group -- took home seven awards at the Billboard Latin Music Awards, including Hot Latin Tracks Artist of the Year and Billboard Latin 50 Artist of the Year, as the sweeping romantic ballad spent a then-record 20 weeks atop the Hot Latin Songs chart. -- J.A.

38. B2K feat. P. Diddy, "Bump Bump Bump" (2002)

Ghoulies, ghosties, long-leggedy beasties, and, apparently, one eye-catching lady who should be in magazines -- these are the things that go bump (bump, bump) in the night. The 2002 track was the quartet’s only chart-topping hit, but, really, it owes its success to a certain trio: Omarion, the song’s lead vocalist and the group’s breakout star; R. Kelly, who wrote and produced the slinky club jam; and P. Diddy, who peppers the song with ad-libs and endearing come-ons like the kind of wingman you’d want by your side for a night out. -- N.F.

37. The Osmonds, "One Bad Apple" (1970)

Originally written for The Jackson 5 -- who were busy working on a No. 1 hit of their own still to come on this list, so no harm, no foul -- "One Bad Apple" become the lone Hot 100-topper for the Osmonds, thanks to its chipper electric piano groove, stop-start hook and 12-year-old Donny's unexpectedly snap-to-attention chorus entrance: "OHHHHHH give it one more time/ Before you GIVE UP ON LOOOOOVE!" As any boy band worth their natural sugar knows, you're never too young to risk total romantic disillusionment. -- A.U.

36. O-Town, "All or Nothing" (2001)

Boy band whisperer Steve Mac (who would go on to work with Westlife, One Direction and The Wanted, among others) co-wrote and produced this pillar of turn-of-the-century teenage angst, which Making the Band's O-Town sold with the overwrought urgency of a regional theater actor auditioning for a production of Rent. But as extra as "All or Nothing" is, don't pretend you're belting along with that chorus at karaoke just to be ironic -- you know damn well it's a catharsis you badly need. -- J. Lynch

35. The Wanted, "Glad You Came" (2011)

Sure, any boy band song could light up a club for the sake of nostalgia, but there aren’t many that can do so without being completely obvious that it’s even coming from a boy band in the first place. While timing certainly played into The Wanted’s ability to slide their way into Top 40, they also had a bit of a sonic advantage because of the maturity in their voices, which ultimately makes breakout single "Glad You Came" as alluring and sexy as it is. The song's roaring beat is enough to get people out of their seats, but then you add the chorus chants and The Wanted's seductive delivery and you’ve got a smash -- proven by the song's No. 3 peak on the Hot 100. -- T.W.

34. Color Me Badd, "I Wanna Sex You Up" (1991)

Most ‘90s boy bands used PG innuendos when it came to singing about sex. But the at-least-PG-13 Color Me Badd didn’t have time for all of that subtlety, so they cut to the chase on debut single “I Wanna Sex You Up.” If the bold title didn’t make things clear enough, the horny lyrics about "makin' love until we drown" surely did. The bouncy New Jack Swing beat, those tight “Ooo, ooo, ooo, ooh!” harmonies and lead singer Bryan Abrams’ breathy vocals added to the formula that shot this song No. 2 on the Billboard Hot 100. -- B.G.

33. Soul for Real, "Every Little Thing I Do" (1995)

“Candy Rain” was the bigger hit for Heavy D’s band of brothers, but the four Dalyrimple siblings shone brightest on the second single, “Every Little Thing I Do.” Deploying a sample from the Gap Band’s god-level ode to joy “Outstanding,” “Every Little Thing I Do” is the moodier number, conjuring the all-consuming power of a crush. You can’t sleep, you can’t eat, you can’t do your homework without thinking of the person. They’re everywhere, as inescapable as a pop song. -- R.S.

32. Jonas Brothers, "Burnin' Up" (2008)

Rumored to be inspired by Prince, this was an incredible summer jam that received enough radio play and critics’ attention in the late '00s to propel Nick, Kevin and Joe well out of the Disney Channel box and into Top 40's funky center. The JoBro’s bodyguard Robert "Big Rob" Feggans also has an unforgettable feature, and he used to come out on stage with the boys to rap his part live during the 2008 Burnin' Up Tour. The video is equally iconic, with Nick Jonas saving his then-girlfriend Selena Gomez in a James Bond-style sequence. -- G.G.

31. All 4 One, "I Swear" (1994)

Originally recorded as a country song by John Michael Montgomery, All-4-One’s version of “I Swear” has the distinction of being one of the few Grammy-winning boy band songs on this list, as the winner for best pop performance by a duo or group in 1995. More than two decades later, the hook makes it easy to understand how this was a No. 1 hit in several countries: those two titular words slice away any doubt of commitment, and the swelling emotion comes gift-wrapped within that four-part harmony. Cheesy, yet timeless. -- J. Lipshutz

30. New Edition, "Cool It Now" (1984)

One of the most hyperactive songs ever written about the need to keep things chill, "Cool It Now" is effervescent from its opening drum count-off, and stays a Pixy Stix-like energy rush for its entire three-and-a-half minute runtime. The call-and-response vocals between lead singer Ralph Tresvant and the rest of the group throughout the pre-chorus and hook are classic, but of course the song is a standout in NE's early catalog primarily for Tresvant's mid-song rap, providing perhaps the first (and almost certainly the greatest) roll call in boy band history: "Ronnie, Bobby, Ricky and Mike/ If I like the girl who cares who you like?" -- A.U.

29. New Kids on the Block, "You Got It (The Right Stuff)" (1988)

There are many reasons New Kids on the Block are one of the all-time boy band greats, and this early hit is near the top of the list. The jazzy and oh-so-‘80s beat, the cheesy-flirty lyrics and of course the “oh oh, oh-oh-oh” chants made “You Got It (The Right Stuff)” a great track to begin with. Then they unveiled the unforgettable leg-swinging choreography in the black-and-white video and took it to the next level. It may not quite be the quintessential NKOTB jam, but it is the one that proved they indeed had all the right stuff for the boy band pantheon. -- T.W.

28. 112 feat. The Notorious B.I.G., "Only You" (1996)

Bad Boy quartet 112 emerged in the back-end of the '90s with better harmonies, fresher beats and more unshakeable songs than the great majority of their contemporaries -- and a not-so-secret weapon in the longing vocals of Marvin "Slim" Scandrick, one of the decade's most inimitable vocalists. "Only You" was their breakout hit, a mid-tempo shuffle as sleek and stunning as its flash-popping music video, with a chorus undeniable in its simplicity: "Girl I want to be with you/ No one else, only you." Still, if you remember the song for one thing -- aside from Puff Daddy intoning "I thought I told you that we won't stop" on its classic remix -- it's that yearning Slim entrance: "I need you in my life!" -- A.U.

27. BigBang, "Fantastic Baby" (2012)

It would be incredibly difficult to imagine what K-pop would look like without BIGBANG’s game changing 2012 hit “Fantastic Baby.” The anarchic hip-house track raised the bar for the genre, overflowing with vibrancy as it bounces between sonic styles. Dominated by bright digital thumps and soaring synth wails, “Fantastic Baby” thrives on brain-sticking phrases like “I wanna da-da-da-da-dance” and “boom shakalaka,” making it one of the most infectious boy band songs ever released. -- T.H.

26. Menudo, "Subéte a Mi Moto" (1981)

“Súbete a Mi Moto” became an instant classic in the pre-Ricky Martin era of Latin America’s original lycra pant-wearing boy band, Menudo. The song was first included on the 1981 album Quiero Ser, but a new version of the rocking pre-teen pick-up anthem was featured in the 1983 movie Una Aventura Llamada Menudo, which had the Puerto Rican group’s crush-stricken fans screaming all over the Spanish-speaking world. -- Judy Cantor-Navas

25. The Jackson 5, "I'll Be There" (1970)

It's the source of some of the dreamiest harmonies ever recorded, and the song that proved the Jackson 5 were capable of more than just perennial party-starters. Michael Jackson was only 11 years old when recorded the group's biggest hit, but he displays a tenderness and control that performers twice his age would be jealous of, absolutely selling lyrics he couldn't possibly have been old enough to fully understand. As his brothers' vocals come in, the song builds and builds without ever totally blowing the roof off -- a timeless testament to the power of restraint. -- N.F.

24. *NSYNC, "Gone" (2001)

The third-album JT vocal showcase that proved that there would be life after *NSYNC for at least one of its members, "Gone" was also a heartbreak ballad of musical and emotional sophistication that would've been unimaginable in the days when the quintet was covering Bread slow jams and dressing up in straitjackets for super-literal music videos. The bridge is downright surreal, as the sparse beat drops out entirely, the meter all but dissolves, and the five members sound like they're swarming Timberlake's subconscious, until he breaks out for a final chorus of matserful ad libs. But it all comes back to that one word: harrowing, relentless and unmistakably final. -- A.U.

23. Jodeci, "Come and Talk to Me" (1992)

Before Jodeci was giving us an onslaught of naughty-as-hell baby-making music, the foursome played it a little safer on their debut album, Forever My Lady. The single “Come and Talk to Me” became an instant favorite as the guys play shy while trying to approach a lady in a respectful manner. (Remember those days?) Lead singer JoJo seduced women everywhere with his vocal charm, while DeVanté Swing, Mr. Dalvin and K-Ci swooped in with their pristine harmonies on the chorus. And if the slow jam wasn’t enough, Puff Daddy blessed us with a hip-hop remix that was arguably even better than the original. -- B.G.

22. The Beatles, "She Loves You" (1963)

An almost-unthinkable 55 years (!!) after its initial release, The Beatles' second No. 1 single on the Hot 100 still feels a live wire from its very first measure: the briefest of Ringo drum fills, and then straight to the hook ("She loves you, YEAH, YEAH, YEAH!"), essentially the genesis of the entire power-pop genre before the song really even starts. "She Loves You" pulls back a bit for the disarming John/Paul harmonies of its verse, but goes back in for the chorus, which reduces the love song form to its bluntest simplicity: "She said she loves you/ And you know that can't be bad/ She loves you, and you know you should be glad." And then they hit 'em with an "Oooooo!," just in case there are any girls in the back still standing. -- A.U.

21. The Monkees, "I'm a Believer" (1966)

The only downside to the Monkees’ career-defining hit is that it spawned a Smash Mouth cover that’s gotten almost as much 21st-century play as the original. The Neil Diamond-penned original track had Mickey Dolenz gushing about how the right love could make a man believe in the stuff of storybook romance, and the Day-Glo organ notes of the chorus would go on to serve as one of the most recognizable sounds of ‘60s pop. “I’m A Believer” was one of the group's most successful efforts on the charts, too: It peaked at No. 1 on the Billboard Hot 100 in December 1966, where it’d remain for a seven-week stretch. The song is almost old enough to collect AARP benefits, but its popularity continues to grow -- “I’m A Believer” is far and away the group’s most popular track on Spotify, with a whopping 76 million plays. -- H.H.

20. 5 Seconds of Summer, "She Looks So Perfect" (2014)

Not quite as traditional as the One Direction boys that helped introduce them to the world, 5 Seconds of Summer declared they were aiming more for arena rock than pop anthems. But “She Looks So Perfect” doubled as both, catering to those who appreciate guitar-heavy jams and the girls who were squealing over 1D’s adorableness. With lyrics that make you swoon (“If I showed up with a plane ticket/ And a shiny diamond ring with your name on it/ Would you wanna run away too?/ 'Cause all I really want is you”) and a sneakily scandalous reference to American Apparel underwear, 5SOS' anthemic breakout hit is the perfect mix of grungy and innocent — practically putting them in their own lane of boy band. -- T.W.

19. LFO, "Summer Girls" (1999)

One of the most woefully underrated boy bands of the late ‘90s era was LFO, led by singer-songwriter Rich Cronin and rounded out by Brad Fischetti and Devin Lima. Along with the starry-eyed “Girl on TV,” “Summer Girls” was one of the trio’s tickets to turn-of-the-millennium fame: a rap-splashed, quasi-ridiculous cataloguing of cultural touchstones from the time (Abercrombie & Fitch, Fun Dip, Cherry Coke) and oddball throwbacks (Eric B. & Rakim, The Incredible Mr. Limpet, "Billy" Shakespeare) that cemented their boy band legacy with a No. 3 peak on the Hot 100, and continues to enchant and perplex fans in equal measure a generation later. -- S.J.H.

18. Backstreet Boys, "Everybody (Backstreet's Back)" (1998)

We have Denniz PoP and Max Martin to thank for this earworm that was the embodiment of pure late-'90s dance-pop. Backstreet Boys were already leading the pre-millennium era with their lovey-dovey ballads, but “Everybody (Backstreet’s Back) had a tangible energy that proved the guys were on a path to take over pop music -- and pretty much the entire world. The bombastic production was filled with clinking sound effects, “Ooh, ooh!” call outs and vocal commands that convinced you the guys were truly back from... wherever they were coming from. The song was also a necessary shift in their music, as they previously shaped their career with heartstring-tugging ballads and love songs. But Nick Carter, the band’s youngest member, helped usher them into PG-13 territory with one simple question: “Am I SEX-U-AL?" -- B.G.

17. Bay City Rollers, "Saturday Night" (1975)

Taking the stomp and swagger of glam rock but de-fanging it with a homecoming-styled chant and lyrics about teens pursuing the '50s version of fun, this 1976 Hot 100 No. 1 exemplifies the Bay City Rollers' brilliant knack for taking the sounds of the era out of the clubs and into the suburbs. But even the cynics couldn't fully resist the Rollers -- there's an exuberance and guileless joy to their delivery that, well, rolls through your defenses. Case in point: Prickly pub-rocker Nick Lowe's rapturous tribute not to the band per se, but to the indescribable joy they gave their fans. -- J. Lynch

16. BTS, "Blood, Sweat & Tears" (2016)

“Blood, Sweat & Tears” was the tipping point of BTS’ career, with its ethereal melodies delivering up the K-pop group’s most captivating sound to date. The 2016 hit embraces the sense of desperation that the septet had featured on previous singles, like “I Need U” and “Save Me,” and mixes those emotions with sparkling tropical house synths and moombahton beats. Built around a circuitous choral refrain and layered instrumentals, the verses vacillate between sentimental crooning and undulating raps in a show of the members’ vocal prowess. -- T.H.

15. The Jackson 5, "ABC" (1970)

The Jackson 5 stood as one of the foundational boy bands of not just their time, but essentially every group that came after them. Led by a falsetto-scraping Michael Jackson just getting a taste for fame, the quintet became the first collective of its kind to score four consecutive No. 1s on the Hot 100 -- the second of which was “ABC,” a carefree, spirited crowd-pleaser hooked onto one of the must fundamental aspects of humanity: letters and numbers. The song's gleeful bounce was so timeless and universal that two decades later, it helped propel a very different sort of three-letter title to the charts' top tier. -- S.J.H.

14. New Edition, "Candy Girl" (1983)

New Edition helped carry the torch from the Jackson 5 into the ‘80s. Put together by boy band mastermind Maurice Starr -- who also also assembled New Kids on the Block later in the decade -- the quintet managed to hold their own with their up-to-date style and sound, thanks to production from Starr and Arthur Baker, sending their 1983 debut album Candy Girl and its title track single to chart success. The song, a light, hip-hop-inflected take on the boy band sound set before them, was fresh and innocent, with a chorus every bit as tooth-rottingly sweet as you'd expect from the title -- a prelude to the maturation that would unfold across their records through the next century. -- S.J.H.

13. Aventura, "Obsesion" (2002)

“Obsesión” was the breakthrough song for Aventura, the bilingual band of Dominican-American cousins from the Bronx who would bring an urban flavor to the traditional island genre bachata and take it to the world. The haunting 2002 track hit No. 1 in countries including France, Germany, Italy and Austria, and topped Billboard's Eurochart, compiling sales from 18 countries. But, although it seems unimaginable today given that ex-member Romeo Santos is one of the biggest Latin superstars, the original Spanish-language “Obsesión” did not make the Hot Latin Songs chart. A bilingual version was subsequently released, and the song would finally crash the Hot 100 in 2005 -- though only in the form of Frankie J and Baby Bash's cover version, "Obsession (No Es Amor)." -- J. C-N

12. *NSYNC, "Bye Bye Bye" (2000)

It’s already one of the most decisive breakup anthems in pop history, with an iconic dance move to match. (Call it the Pac-Man puppet show wave.) But the lead single from *NSYNC’s blockbuster No Strings Attached LP also signaled a clean slate for the group as well: “Bye Bye Bye” was their first release after a messy split from late ex-manager Lou Pearlman, and its commercial success -- the stomping, quintessential Max Martin beat and echoing hook helped No Strings Attached go platinum in one day -- proved the group would never again spend a second in Backstreet Boys' shadow. -- N.F.

11. Take That, "Back for Good" (1995)

In the U.K., the group was a phenomenon of near-Beatlemania proportions -- when the quintet initially split in 1996, the British government need to set up emergency hotlines to counsel the grief-stricken young fans threatening self-harm -- but in the U.S., we only got a single song. What a one-off, though: "Back for Good" was the perfect mid-'90s ballad, delicately delivering one of the most bulletproof boy band sentiments via lush harmonies and gentle acoustics, with a music video that earns the dramatics of its black-and-white downpour. It's guaranteed to instantly transport you back to a time and place from its opening strum. And those distraught fans eventually got their own "Back for Good" wish: Take That reunited in 2005 and are still around today. -- A.U.

10. Hanson, "MMMBop" (1997)

The words are inscrutable. But the melody is infectious. And if you’ve heard it once, you’re unlikely to forget the chorus. The made up "mmmbop" stands tall in the hearts of millennials -- recalling the tune brings about only joyous MTV-filtered memories of baggy pants and rollerblades. Musically, it does exactly what we want boy band songs to do -- grab onto our ears and never let go. (And it doesn't hurt that the long hair of the brother trio evokes the later years of the most-famous of boy bands: The Beatles.) -- D.W.

9. NoEXIT, "Back Here" (1999)

Mark Jeremy Barry, Derek Mcnally and Stephen Adel Burns -- NoEXIT -- engineered one astonishingly effortless pop-rock single during their time in the spotlight as guitar-toting counter-programming to *NSYNC and Backstreet Boys. No, they didn’t have dance moves or Timberlake looks, but NoEXIT had loaded their fairly straightforward mash note with a pristine balance of catchiness, charisma and cathartic sing-along moments; to that last point, the landing of the “Until you’re BACK here baby” chorus opening is only rivaled by the bridge’s echoing falsetto (“And I wonderrrr (wonder, wonder)...”). “Pleasant” is a word that could describe “Back Here,” but that sells short how successful it is at being aw-shucks likable and worthy of return. Few pop songs in general hit their mark as cleanly as “Back Here,” and for that, this British trio and earned a place in boy band history. -- J. Lipshtuz

8. New Kids on the Block, "Step by Step" (1990)

The iconic title track from the Boston boy band’s third album had all the hallmarks of an early-‘90s smash, from the canned strings and drum machines working overtime to the synths and smooth harmonies of Jordan, Danny, Donnie, Joey and Jonathan. Complete with a goofy solo section that had Jordan Knight busting out his best falsetto and a music video that delivered their fanciest footwork yet (along with a Mark Wahlberg cameo), “Step By Step” laid the groundwork for the next generation of boy bands with a single song. Musically, it showed the New Kids’ strength as a five-man vocal unit, while also highlighting them individually. Visually… let’s just say the wardrobe choices and dance moves have remained unrevived in the decades since for a reason. (Donnie’s Public Enemy t-shirt of course being the lone exception.) -- H.H.

7. The Monkees, "Daydream Believer" (1967)

Musically sophisticated enough to thrive in the year of Sgt. Pepper, but undeniably tuneful enough to become the group's third and final Hot 100-topping hit, the John Stewart-penned "Daydream Believer" brought The Monkees to the boy band precipice, showing they would not be the province of lunchboxes and daytime TV for much longer. But a half-century later, the song's pristine poppiness remains overpowering; like all truly great productions, it remains captivating from its opening piano plinks to its sweeping orchestral fade, and like all truly great chourses, its lyrics ("Cheer up, Sleepy Jean/ Oh what can it mean, to a/ Daydream believer and a homecoming queen") can mean as much or as little as you choose to believe. -- A.U.

6. New Edition, "Can You Stand the Rain" (1988)

It only takes three lines for the clouds to arrive. Johnny Gill’s satin voice unfurls sunshine (“On a perfect day, I know that I can count on you”) just as quickly as he hides it away (“Tell me can you weather the storm?”). New Edition’s most beloved ballad, “Can You Stand the Rain” gets deep for a boy band, asking the question that every partnership must eventually face: When times get rough, will you stick it out? The strength and flexibility of that central metaphor means the song grows up as you do -- the storm could be high-school miscommunication one year and then something more mature further down the road.

The only thing in life that’s certain is that production from Jimmy Jam and Terry Lewis will always knock. And because “Can You Stand the Rain?” is an R&B song, even more than a boy band cut, the guys find a way to work hard-fought, post-trauma make-up sex into the track, as the the sound of gentle rain appears three minutes in and Mike Bivins whispers, “C’mon baby -- let’s go get wet.” Cue thunder. -- R.S.

5. *NSYNC, "Tearin' Up My Heart" (1998)

After kicking off their career with a timeless boy band plea, *NSYNC continued the heartbroken sentiment with “Tearin’ Up My Heart.” But there was something about the hard-hitting beat of their second single that made it even more awe-inspiring than the first: It had a similar sound to its predecessor, but brought a higher energy and a sharper hook that makes the song just as potent now as it was in the late ‘90s. Although J.C. Chasez takes most of the lead vocals on the track, the harmonies provided by the rest of the group on the chorus make it about as quintessential as boy band songs come, with the rolling pop melody and funky pre-verse breakdown helping it really soar. As Chasez told Billboard earlier this year, “Tearin’ Up My Heart” was "'I Want You Back 2.0'” -- solidifying *NSYNC as being on their way to becoming one of the most iconic American vocal groups of all time. -- T.W.

4. One Direction, "What Makes You Beautiful" (2011)

You don’t get to amass a small nation of young, heart-emoji-eyed fans without songs they can insert themselves into -- songs that let you (yes, you!) pretend you’re the one these coiffed dreamboats have been searching for all this time. One Direction didn’t just understand that, they practically staked a career on it, when they debuted in 2011 with a song about something many teens and pre-teens know all too well: low-self esteem.

Built around a guitar riff borrowed from the McCoys’ 1965 track “Hang on Sloopy,” “What Makes You Beautiful” had the effect of breaking pop’s fourth wall, practically doing away with a fictional love interest to provide a confidence boost directly to their listeners. At times, this approach could cross the line into condescension -- see their sophomore album's “Little Things,” which finds the boys of 1D running through an alarmingly detailed list of a lover’s insecurities as proof of devotion -- but at least the giddy enthusiasm of “Beautiful” came from a genuine place: Hitmaker Savan Kotecha says he wrote the song for his wife after she was down on herself during a rough morning. -- N.F.

3. The Beatles, "I Want to Hold Your Hand" (1963)

Critics and even fans cite material from 1966 and beyond as examples of the band's genius and influence, but historically speaking, The Beatles' most seismic impact on Planet Earth was when these four lads from Liverpool smiled into Ed Sullivan's cameras sang about the most innocuous of romantic gestures. Hey you, cute teenager sitting at your parents feet on the carpet -- "I Want to Hold Your Hand." Innocent enough that the parents couldn't get angry, but vague enough that it left plenty of room for a girl to dream.

That Leave It to Beaver version of courtship mixed with the urgency of their Chuck Berry-meets-girl group sonic palette -- with no shortage of harmonies or handclaps -- changed pop music and teen culture forever. After this, no one would underestimate the economic value of attaching a pretty face and wholesome smile to a song aimed at teenagers. From Jackson 5 to One Direction, the boy band canon starts here. -- J. Lynch

2. The Jackson 5, "I Want You Back" (1969)

The Jackson 5 defined what it meant to be a boy band a decade before the members of *NSYNC and Backstreet Boys were even born. The brothers perfected the formula for a catchy pop song and turned it into Motown gold with debut single “I Want You Back.” Young Michael’s opening “Uh-huh-huhhh-huhhh” notes set the tone for the all-ages tune, and his tearful croons about wanting his lover back were so mature it made you forget he was only a preteen himself when the song was released. His brothers anchored his remorseful emotions with sticky-sweet harmonies, soulful licks on the guitar, and an overall bubblegum essence that still continues to capture hearts for generations to come -- from drunken nights at karaoke to a singalong session at family barbecues. “I Want You Back” remains a timeless, joyous treasure, one that remains to be replicated in pop. -- B.G.

1. Backstreet Boys, "I Want It That Way"

When "I Want It That Way" took off in 1999, it felt like the entire century's worth of pop music had been clearing the runway for it. From Tin Pan Alley to the Brill Building, The Beatles to Boyz II Men, this is what it seemed like it had all been leading up to: A boy band mid-tempo ballad so big and so brilliant that you'd lived a lifetime with it by the time it was done its first spin. It learned nonsense lyrics from ABBA, it learned bridges from Diane Warren, it learned key changes from Bon Jovi, and it mixed its history with an eye to the future, where pop music would expand to such sizes that rock would begin to look puny by comparison. Its parent album was called Millennium for a reason.

Somehow, "I Want It That Way" only peaked at No. 6 on the Billboard Hot 100; *NSYNC's Gloria Estefan collab "Music of the Heart," which 3/5 of the group probably doesn't even remember recording at this point, peaked four spots higher. But along with Britney Spears' "Baby One More Time," "I Want It That Way" has endured as the pop song of an entire generation; all you have to do is start any '80s baby off with a "You are..." and they'll be sure to fill in the rest. It was the definitive boy band song from the definitive boy band era, and needless to say, we wouldn't want it any other way. -- A.U.

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